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  1. Domenico Cimarosa ( Italian: [doˈmeːniko tʃimaˈrɔːza] ⓘ; 17 December 1749 – 11 January 1801) [1] was an Italian composer of the Neapolitan School and of the Classical period. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and ...

  2. Apr 18, 2024 · Domenico Cimarosa (born Dec. 17, 1749, Aversa, Kingdom of Naples—died Jan. 11, 1801, Venice) was one of the principal Italian composers of comic operas. He was born of a poor family, and his parents, anxious to give him a good education, moved to Naples, where they sent him to a free school. Beginning in 1761 he studied for 11 years at the ...

    • The Editors of Encyclopaedia Britannica
  3. May 14, 2018 · The works of the Italian opera composer Domenico Cimarosa (1749-1801) typify the style of Italian opera buffa, or comic opera, in the late 18th century. Domenico Cimarosa was born in Averso near Naples, the son of a very poor family. At the age of 12 he entered the Conservatory of S. Maria di Loreto; he studied composition, voice, and keyboard ...

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  5. Jan 25, 2014 · Picture: Jacopo Amigoni - Il cantante Farinelli con amici (1750-55)Domenico Cimarosa (17 December 1749, Aversa, Province of Caserta -- 11 January 1801, Venic...

    • Jan 25, 2014
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  6. Feb 7, 2022 · Baritone David McFerrin performs Domenico Cimarosa's Il Maestro di Cappella, led by Music Director Martin Pearlman. Recorded December 31, 2021. Calderwood St...

    • Feb 7, 2022
    • 1778
    • Boston Baroque
  7. Concerto for 2 Flutes in G major, G.1077 (Cimarosa, Domenico) Il convito (Cimarosa, Domenico) Il credulo (Cimarosa, Domenico) D. La donna sempre al suo peggior s'appiglia (Cimarosa, Domenico) Le donne rivali (Cimarosa, Domenico) I due baroni di Rocca Azzurra (Cimarosa, Domenico) I due supposti conti (Cimarosa, Domenico) E. L'eroe cinese ...

  8. Domenico Cimarosa. : Nick Rossi, Talmage Fauntleroy. Bloomsbury Academic, Sep 30, 1999 - Biography & Autobiography - 225 pages. This is the first book in English about Domenico Cimarosa, his more than 65 operas and his sacred and secular vocal music, his keyboard music, and his various works for solo instruments and ensembles.

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