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  1. Benjamin Davis (born 6 September 1961) is a British cinematographer. [1] His major works include Kick-Ass (2010), Hannibal Rising (2007) and the Marvel Studios films Guardians of the Galaxy (2014), Avengers: Age of Ultron (2015), Doctor Strange (2016), Captain Marvel (2019) and Eternals (2021). He has collaborated with Matthew Vaughn on four ...

  2. www.imdb.com › name › nm1023204Ben Davis - IMDb

    Ben Davis. Cinematographer: Three Billboards Outside Ebbing, Missouri. Ben Davis was born in 1961 in London, England, UK. He is a cinematographer and producer, known for Three Billboards Outside Ebbing, Missouri (2017), The Banshees of Inisherin (2022) and Guardians of the Galaxy (2014).

    • January 1, 1
    • 2 min
    • London, England, UK
  3. Ben Davis. Cinematographer: Three Billboards Outside Ebbing, Missouri. Ben Davis was born in 1961 in London, England, UK. He is a cinematographer and producer, known for Three Billboards Outside Ebbing, Missouri (2017), The Banshees of Inisherin (2022) and Guardians of the Galaxy (2014).

  4. Nov 30, 2017 · Ben Davis, BSC at the Camerimage Film Fest. (Photo by Danna Kinsky) Discussing his work in Three Billboards Outside Ebbing, Missouri, the cinematographer describes how he worked to convey extraordinary characters in a real world.

    • How Do You Choose Your Projects?
    • Does Your Approach to Marvel Movies Differ from Smaller Films?
    • Was There A Lesson You Learned Early in Your Career That Has Stayed with You?
    • What Advice Do You Have For Those Interested in A Career in Cinematography?

    It always starts with two things: script and director. I’d love to say every decision I make is based purely on those things, but I have children and bills to pay. [Laughs] A lot of those sort of boring decisions come into it. But the script and director. For instance, when Tim Burton asked [me to work on “Dumbo”], I didn’t even think about it. Or ...

    The Marvel world, you’re shooting films for over $100 million. They’re different in scale, and they’re different in ambition, but the job is the same. The responsibility is the same. There’s still a narrative. That’s always the focus on the set of any project. What’s the story we’re trying to tell? If it’s just about imagery and bangs and whizzes, ...

    When I started out, I went on a job and it was a very young director. We were shooting, and he wanted to shoot it a certain way, and I thought it was ridiculous and also terrible. And we fought about it. Not badly, but I thought it was a terrible way of going about it. And we filmed it and cut it together, and I saw it afterward—and it was absolute...

    If you’re at the start, photograph or shoot all the time. Watch as much cinema as you can, but go out and actually photograph things. And it’s much easier now than it used to be. It was expensive—you had to process it and cut it. And now there are so many mediums you can work in, and they’re all immediate and low cost. This story originally appeare...

    • Mark Peikert
  5. Mar 8, 2019 · How DP Ben Davis and Panavision’s Dan Sasaki Picked the Right Lenses for ‘Captain Marvel’. Cinematographers coordinate their efforts with a platoon of visual artists and other artisans, from ...

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  7. Dec 21, 2022 · Watch an exclusive video interview with Ben Davis, the cinematographer of Martin McDonagh's black tragicomedy set in Ireland. He talks about the painterly visual aesthetic, the camera movement and the emotional distance from the characters.

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