High Life
2019
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Claire Denis (French:; born 21 April 1946) is a French film director and screenwriter. Her feature film Beau Travail (1999) has been called one of the greatest films of the 1990s and of all time.
Claire Denis. Director: High Life. The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects.
May 21, 2018 · Denis’s films can be hard to find in the United States, but she is beloved by many young American filmmakers for, among other things, her artful confrontations with race.
A key member of the new wave of female French directors, Claire Denis toiled for more than 10 years as an assistant director before winning international acclaim with her first feature film,...
Apr 15, 2019 · The space imagery he creates in “High Life” is both convincing enough to suspend our disbelief and expressionistic enough to serve as an externalized abstraction of character psychology. “Today in The New York Times, they have apparently published the first image of a black hole,” revealed Denis.
Jul 3, 2010 · Claire Denis: 'For me, film-making is a journey into the impossible' Andrew Hussey. Since her 1988 debut Chocolat, Claire Denis has established herself as one of France's most respected film...
Sep 10, 2022 · The French director on being mesmerised by the film Memoria, and her love of Tindersticks, Anne Teresa De Keersmaeker and the Mediterranean. Sarah Crompton. Sat 10 Sep 2022 10.00 EDT. B orn in ...
Apr 16, 2019 · Claire Denis, the world’s greatest working filmmaker, is sitting on a couch drinking herbal tea. She is in New York promoting her new film, “High Life,” an emphatic allegory about infants,...
A provocative director whose films offer richly textured, contemplative examinations of cross-cultural tensions and alienation, Claire Denis is one of French cinema’s most distinctive and humanistic storytellers.
Apr 22, 2018 · French director Claire Denis talks about her new film with Juliette Binoche and Gérard Depardieu, the appeal of Robert Pattinson – and why the Weinstein affair has changed nothing.
