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Paul A. Cameron (born May 30, 1958) is a Canadian-born American cinematographer. He is best known for his work on the film Collateral (2004), as well as the HBO series Westworld . Biography. Paul Cameron, ASC’s visually groundbreaking work as a director and a director of photography has helped shape the craft of cinematography in the 21st century.
Cinematographer: Collateral. Paul Cameron, ASC's visually groundbreaking work as a director and a director of photography has helped shape the craft of cinematography in the 21st century. Cameron recently directed multiple episodes of "Special Ops: Lioness", created by Taylor Sheridan for Paramount+, as well as multiple episodes of HBO's ...
- January 1, 1
- Montréal, Québec, Canada
IMDb. Facebook. Instagram. Copyright © 2024 Paul Cameron DP | Developed by Techseria. Paul Cameron, Director of Photography & Cinematographer has shot visually groundbreaking Feature Films and Television Commercials for Top Directors, Tony Scott, Michael Mann, Niels Arden Oplov, Jake Scott, Kathryn Bigelow, Sam Mendes, Malcolm Venville ...
BIO. Paul Cameron, ASC’s visually groundbreaking work as a director and a director of photography has helped shape the craft of cinematography in the 21st century. Cameron recently directed multiple episodes of “Special Ops: Lioness”, created by Taylor Sheridan for Paramount+, as well as multiple episodes of HBO’s acclaimed “Westworld ...
Oct 9, 2023 · Cinematographer, Director, Interviews, Television. “Special Ops: Lioness” Cinematographer & Director Paul Cameron on Taylor Sheridan’s International Thriller – Part Two. October 9, 2023. By Matt Hurwitz.
Jul 26, 2022 · July 26, 2022. By Hugh Hart. Cinematographer Paul Cameron had worked on big pictures like Michael Mann-directed Collateral and Denzel Washington thriller Déjà Vu, so he could afford to be skeptical six years ago when he first heard about a new TV series loosely based on an old Michael Crichton sci-fi novel.
Aug 20, 2021 · Cinematographer Paul Cameron, ASC and DIT Michael “Strawberry” Romano Detail the Challenges of Shooting the Film Noir. Set in 2050 in Miami and New Orleans, writer/director Lisa Joy’s first feature “Reminiscence,” is described as an “analog noir love story.”
