Remember the Night
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James Mitchell Leisen (October 6, 1898 – October 28, 1972) was an American director, art director, and costume designer. Film career [ edit ] He entered the film industry in the 1920s, beginning in the art and costume departments.
Mitchell Leisen. Director: Death Takes a Holiday. Mitchell Leisen was born on 6 October 1898 in Menominee, Michigan, USA. He was a director and art director, known for Death Takes a Holiday (1934), The Mating Season (1951) and Hold Back the Dawn (1941).
- January 1, 1
- Menominee, Michigan, USA
- January 1, 1
- Woodland Hills, Los Angeles, California, USA
Jun 8, 2021 · James Mitchell Leisen was born into an affluent middle-class American family in 1898, right at the twilight of the 19th century. Suburban peace and familial security weren't lasting factors of his childhood, however. By the time Leisen was five, his parents were divorced.
May 7, 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses. His motion pictures —almost all of them made at ...
- Michael Barson
Mitchell Leisen was born on 6 October 1898 in Menominee, Michigan, USA. He was a director and art director, known for Death Takes a Holiday (1934), The Mating Season (1951) and Hold Back the Dawn (1941). He was married to Stella Yeager. He died on 28 October 1972 in Woodland Hills, Los Angeles, California, USA.
- October 6, 1898
- October 28, 1972
Oct 20, 2005 · Mitchell Leisen was a versatile and stylish director who made witty romantic comedies, dreamy fantasies and flamboyant musicals in 1930s and 1940s Hollywood. He also explored gay themes and psychoanalytical ideas in his films, challenging the conventions of his time and genre.
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Biography. Long neglected by critics and film historians, director and art director Mitchell Leisen underwent a reexamination in later years, leading to more appreciation of his work. While not on par with contemporaries like Ernst Lubitsch or Preston Sturges, Leisen did helm a number of notable screwball comedies that have stood the test of time.
