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  1. Andre de Toth

    Andre de Toth

    Hungarian-born American film director

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  1. André De Toth. Director. Writer. Second Unit Director or Assistant Director. IMDbPro Starmeter See rank. Although he obtained a law degree from the Royal Hungarian University, Andre De Toth decided to become an actor, and spent several years on the stage. He then entered the Hungarian film industry, obtaining work as a writer, editor, second ...

  2. In 1951, de Toth received an Oscar nomination for Best Writing (with co-writer William Bowers) for the story filmed as The Gunfighter. While largely remembered as the director of the earliest and most successful 3D film, House of Wax, de Toth also directed the noir films Pitfall (1948) and Crime Wave (1954).

  3. See André De Toth full list of movies and tv shows from their career. Find where to watch André De Toth's latest movies and tv shows

  4. 1. Pitfall (1948) Not Rated | 86 min | Crime, Film-Noir, Thriller. 7.1. Rate. Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result. Director: André De Toth | Stars: Dick Powell, Lizabeth Scott, Jane Wyatt, Raymond Burr. Votes: 4,544. Watch on Plex.

  5. Oct 7, 2002 · Ramrod. Play Dirty. Directing. Writing. Acting. Production. André de Toth (May 15, circa 1912 – October 27, 2002) was a Hungarian-American filmmaker, born and raised in Makó, Csongrád, Kingdom of Hungary Austro-Hungarian Empire. He directed the 3-D film House of Wax, despite being unable to see in 3-D himself, having lost an eye at an early age.

  6. www.rottentomatoes.com › celebrity › andre_de_toth_2Andre de Toth | Rotten Tomatoes

    Lowest Rated: 57% Billion Dollar Brain (1967) Birthday: May 15, 1913. Birthplace: Makó, Csongrád, Hungary. Born and raised in Hungary, Andre de Toth came to the USA in the 1940s and became...

  7. Mar 21, 2003 · While he is often remembered as the director of the earliest and most successful 3-D film, House of Wax (1953), (all the more remarkable since, like Ford, Fritz Lang, and Raoul Walsh, de Toth had only one good eye), he was also responsible for two of the noir cycle’s most unusual examples: Pitfall (1948) and Crime Wave (1954).

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