Six in Paris
1965
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Jean-Daniel Pollet (French:; 1936–2004) was a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge .
Jean-Daniel Pollet was born on 20 June 1936 in La Madeleine, Nord, France. He was a director and writer, known for L'acrobate (1976), A Bullet Through the Heart (1966) and Line of Sight (1960). He died on 9 September 2004 in Cadenet, Vaucluse, France.
- Director, Writer, Editor
- June 20, 1936
- Jean-Daniel Pollet
- September 9, 2004
Jean-Daniel Pollet est un réalisateur français, né le 20 juin 1936 à La Madeleine (Nord) et mort le 9 septembre 2004 à Cadenet. Biographie. Jean Daniel Pollet, lors de vacances au bord de la mer, voit au loin un homme charismatique se promenant sur la plage, Claude Melki.
- 20 juin 1936La Madeleine ( Nord)
- Réalisateur
- Française
Jean-Daniel Pollet, film-maker: born La Madeleine, France 20 June 1936; died Cadenet, France 9 September 2004. The film-maker Jean-Daniel Pollet was filming a close-up travelling shot of an...
Sep 9, 2004 · Jean-Daniel Pollet (1936–2004) was a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge.
Méditerranée is a 1963 French experimental film directed by Jean-Daniel Pollet with assistance from Volker Schlöndorff. It was written by Philippe Sollers and produced by Barbet Schroeder, with music by Antoine Duhamel.
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Jean-Daniel Pollet ( 20th June, 1936- September 9th, 2004) is a director whose work divides into two distinctly different categories: sentimental, popular comedies such as L’Amour c’est gai, l’amour c’est triste (Love is Gay, Love is Sad, 1968), and L’Acrobate (The Acrobat, 1976), usually starring his own discovery, the Keatonesque ...
