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  1. César Charlone

    César Charlone

    Uruguayan cinematographer

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  1. César Charlone (born February 20, 1950) is a Uruguayan film director, screenwriter, actor and cinematographer. He was born in Montevideo but lives in Brazil. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God.

  2. 2 Videos. 2 Photos. César Charlone was born on 19 April 1958 in Montevideo, Uruguay. He is a cinematographer and director, known for The Constant Gardener (2005), Blindness (2008) and City of God (2002). More at IMDbPro. Contact info.

    • January 1, 1
    • 2 min
    • Montevideo, Uruguay
  3. Jun 8, 2020 · César Charlone is an Uruguayan film director, cinematographer, and screenwriter, that lives in Brazil. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God. In 2006 he was nominated for Best Photography at BAFTA Awards and Best Technical Achievement at British Independent ...

    • César Charlone (cinematographer)1
    • César Charlone (cinematographer)2
    • César Charlone (cinematographer)3
    • César Charlone (cinematographer)4
    • César Charlone (cinematographer)5
  4. César Charlone (born 1958) is an Uruguayan-born Brazilian film director, screenwriter, actor and cinematographer. He was born in Montevideo, but settled in Brazil, his current homeland. In 2003, he was nominated for the Academy Award for Best Cinematography for his work on the highly acclaimed film City of God.

  5. Apr 8, 2024 · It’s an approach enabled by the way Mierelles and his long-time cinematographer César Charlones shoot. Rather than set coverage, breaking a scene into different shots, they rolled three...

    • Chris O'falt
  6. Dec 20, 2019 · Cinematographer César Charlone on Keeping ‘The Two Popes’ Visually Compelling – Awardsdaily. by Clarence Moye. December 20, 2019. in CINEMATOGRAPHY. 2. (Photo: Netflix) Acclaimed cinematographer César Charlone began his long collaborative career with celebrated Brazilian director Fernando Meirelles on 2002’s City of God.

  7. Jan 16, 2020 · “Everything is much more open, thanks to the work of the press, thanks to the work of social media, thanks to the curiosity of people who research,” César Charlone, the film’s cinematographer, explained. Thus the popes’ light and airy near-present, meant to reflect a new period for the church at large.