There Will Be Blood
2008
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Character-driven films
- Paul Thomas Anderson (born June 26, 1970, Los Angeles, California, U.S.) is an American screenwriter and director whose character-driven films, set mostly in the American West, are recognized for their ambitious and engaging storytelling.
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- Magnolia (1999) It never rains in Southern California, or so the old song goes, though a weather forecast at the outset of PTA’s magnum opus gives it a 75% chance.
- There Will Be Blood (2007) The twin forces of commerce and Christianity go head-to-head in Anderson’s epic American showdown, set in the early 20th century, when opportunists like Daniel Plainview (Daniel Day-Lewis) could strike it rich overnight digging for silver — or that most precious of resources, black gold.
- Boogie Nights (1997) Hollywood may be full of hangers-on and has-beens, but in the world of porn, everyone’s a star — at least, that’s the sense one gets from Anderson’s slick homage to the adult film industry of the 1970s, which turns toxic with the introduction of drugs and home video in the ’80s.
- Licorice Pizza (2021) The latest twist in Anderson’s unpredictable career was his decision to follow his streak of tony great-man take-downs to make a free-wheeling coming-of-age comedy, à la “American Graffiti” and “Dazed and Confused,” and yet, the gloriously retro “Licorice Pizza” proves to be one of the director’s most heartfelt movies yet.
- Inherent Vice
- Hard Eight
- The Master
- Licorice Pizza
- Magnolia
- Punch-Drunklove
- Boogienights
- Phantomthread
- There Will Be Blood
One viewing of Inherent Vice won’t suffice. Even if you’ve read the Thomas Pynchon novel on which it’s based, this rambling tangle about a perpetually stoned private investigator (a mutton-chopped Joaquin Phoenix) drifting through a Manson-paranoid Los Angeles can feel as hazy as a cloud of pot smoke. It is, as the kids say, a vibe—and a dense one ...
Anderson got a rude awakening about Hollywood egos when the production company behind Sydney, his directorial debut, recut the film and named it Hard Eight. He acquiesced on the title but not the edit, ultimately convincing the powers that be to release his version. Even with Anderson’s thinnest plot, Hard Eightis pretty great. The movie has early ...
The first thing you notice in The Master is Jonny Greenwood’s score, a propulsive ticktock that hypnotizes the audience before a single word has been spoken. The second is Joaquin Phoenix’s hunched posture. The arch in his back, combined with his unwitting snarl, makes him at once diminutive and imposing, childlike and depraved. His Freddie Quell i...
Unfolding like a series of ebullient vignettes, Licorice Pizza roams through Los Angeles alongside a precocious 15-year-old showman (Cooper Hoffman, son of Philip Seymour Hoffman) and the slightly older apple of his eye (Alana Haim of the rock trio Haim). It’s a coming-of-age frolic about a bunch of schemes taking place amid the encroaching chaos o...
Following the success of Boogie Nights in 1997, the suits at New Line Cinema gave Anderson carte blanche. What resulted was a three-hour mosaic of psychological freak-outs inspired by his stint as a PA on Quiz Kids Challenge, Aimee Mann’s music and the San Fernando Valley. Magnolia, with its feverish performances (Julianne Moore! Tom Cruise! Jason ...
After the unfettered sprawl of Magnolia, Anderson was determined to cap his next project at 90 minutes. Out of that came Punch-Drunk Love, at once, paradoxically, Anderson’s most fantastical and most grounded movie. To label it a romantic comedy feels limiting, though it is technically a love story about a jittery neurotic named Barry (a career-bes...
Boogie Nights established Anderson’s sense of scale. It’s a saga about family—the chosen kind, or at least the happened-upon kind—filtered through the disco-inflected California porn scene of the late ‘70s and early ‘80s. Anderson isn’t interested in trite ideas like “growth,” that gingerly Hollywood fixation that requires characters to change or m...
Anderson came up with Phantom Thread while sick in bed. “My wife”—that’s Maya Rudolph, though they aren’t technically married—“looked at me with a love and affection that I hadn’t seen in a long time,” he said. “So I called Daniel [Day-Lewis] the next day and said, ‘I think I have a good idea for a movie.’” That idea birthed one of the strangest an...
There Will Be Blood is the moment Anderson went from an exciting director to an essential one. At the time of its release, antiheroes weren’t as unusual in movies as they were on TV, with Tony Soprano’s influence trickling its way through prestige programming, and yet Daniel Plainview (Day-Lewis) feels almost unmatched in his brand of hyper-articul...
Paul Thomas Anderson (born June 26, 1970), also known by his initials PTA, is an American filmmaker. His accolades include a BAFTA Award, and nominations for eleven Academy Awards and three Golden Globe Awards.
9 titles. 1. There Will Be Blood (2007) R | 158 min | Drama. 8.2. Rate. 93 Metascore. A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business. Director: Paul Thomas Anderson | Stars: Daniel Day-Lewis, Paul Dano, Ciarán Hinds, Martin Stringer.
- Alex Welch
- Phantom Thread (2017) Many will likely always regard There Will Be Blood as Paul Thomas Anderson’s career-defining masterpiece. As was stated in the opening paragraphs of this piece, there’s not much that can be said to refute that opinion, either.
- There Will Be Blood (2007) If Boogie Nights and Magnolia announced Paul Thomas Anderson as a promising filmmaker in the 1990s, it was There Will Be Blood that secured his place among the greatest voices of cinema history.
- Punch-Drunk Love (2002) Punch-Drunk Love shouldn’t be as good as it is. It’s an unflinchingly sweet early 2000s rom-com that stars Adam Sandler in a role that, at the time, many presumed he could never pull off.
- Boogie Nights (1997) Boogie Nights is the film that truly put PTA on the map. Nearly 30 years later, it’s still not difficult to see why. A California-inspired riff on Goodfellas, Anderson’s sophomore effort is a stylistically commanding crime saga set during the rise and fall (i.e., move to video) of the porn industry in the late 1970s and early ’80s.
Dec 12, 2021 · The New Yorker Interview. Paul Thomas Anderson on What Makes a Movie Great. The director of “Licorice Pizza” discusses his writing process, choosing actors, and how you can tell when you are...
May 4, 2024 · Paul Thomas Anderson (born June 26, 1970, Los Angeles, California, U.S.) is an American screenwriter and director whose character-driven films, set mostly in the American West, are recognized for their ambitious and engaging storytelling.
