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  1. The Underground Man

    The Underground Man

    1974 · Mystery · 1h 40m

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  1. The Underground Man. Dostoevsky says that the Underground Man, though a fictional character, is representative of certain people who “not only may but must exist in our society, taking under consideration the circumstances under which our society has generally been formed.”.

  2. Nov 27, 2021 · The Underground Man is the quintessential anti-hero, a bitter, lonely and self-hating 40 year old retired civil servant living underground. Or as in the original Russian text, in a sort of crawl space, not big enough for a human and where bugs and rodents roam.

  3. The Underground Man ridicules the type of enlightened self-interest that Chernyshevsky proposes as the foundation of Utopian society. The idea of cultural and legislative systems relying on this rational egoism is what the protagonist despises.

  4. www.cliffsnotes.com › character-analysis › the-underground-manThe Underground Man - CliffsNotes

    The Underground Man is a spiteful man whose ideas we may agree with and admire, but whose actions we hate and deplore. These contradictory reactions to him suggest something of the duality of his own nature.

  5. The anonymous narrator of Notes from Underground is a bitter, misanthropic man living alone in St. Petersburg, Russia, in the 1860s. He is a veteran of the Russian civil service who has recently been able to retire because he has inherited some money.

  6. The Underground Man is a minor civil servant living in nineteenth-century St. Petersburg who has retired completely into what he calls the “underground,” a state of total alienation and isolation from society.

  7. Get everything you need to know about The Underground Man in Notes from Underground. Analysis, related quotes, timeline.

  8. Jun 13, 2024 · The underground man is profoundly alienated from life, entombed in his room. The heros views are outlined in Part I, and Part II describes the underground man’s conflicts. When he turns to reason for salvation, it fails him, and he concludes that not reason but caprice ultimately prevails in human nature .

  9. Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied.

  10. A note from the author introduces a fictional character known as the underground man, who the author says is “representative of the current generation,” and whose rambling notes will form the novella that is to follow. The underground man begins by telling the reader that he is a sick, spiteful, unattractive man.

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