Anne Wiazemsky
Veronique
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' The Chinese, or, Rather, in the Chinese Manner: A Film in the Making '), commonly referred to simply as La Chinoise, is a 1967 French political docufiction film written and directed by Jean-Luc Godard about a group of young Maoist activists in Paris.
The Chinese: Directed by Jean-Luc Godard. With Anne Wiazemsky, Jean-Pierre Léaud, Juliet Berto, Michel Semeniako. A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
Jul 17, 2020 · Jean-Luc Godard’s La Chinoise (1967) actively presents itself as radical art while simultaneously exposing its own hypocrisy of bourgeoisie activism, the issues of authenticity in media, and the ...
Jan 12, 2018 · A tour-de-force of the primary-palette images — the ‘household images,’ perhaps — of Godard’s early career, La Chinoise serves as both cautionary tale and early sign of fascination with ...
This dark French comedy by Jean-Luc Godard focuses on a group of students who have embraced Maoist ideals and strive to incite revolution through...
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- Comedy, Drama
Dec 11, 2023 · La Chinoise (1967) Publication date 1967 Topics comedy, marxism, cultural revolution Language French Item Size 8126453618. IMDb.
La Chinoise. Disillusioned by their suburban lifestyles, a group of students form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution.
Despite sonorous allusions to such major artists as Brecht, Goethe and Dostoevsky, La Chinoise is only, like its subject, scan-deep: dazzling on the surface and virtually vacuous beneath.
La Chinoise (1967) 1967 France. Directed by. Jean-Luc Godard. Written by. Jean-Luc Godard. Featuring. Anne Wiazemsky, Jean-Pierre Léaud, Michel Semeniako. Running time.
La Chinoise, dir. Jean-Luc Godard, France 1967, 92 min., French with English subtitles. Jean-Luc Godard’s ferocious run of ground breaking 1960s commercial features neared a terminus point as the filmmaker turned his gaze onto the nascent left-wing student organisations coalescing on university campuses across France.
