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  1. Oliver Twist is a 1922 American silent drama film adaptation of Charles Dickens ' 1838 novel Oliver Twist, featuring Lon Chaney as Fagin and Jackie Coogan as Oliver Twist. The film was directed by Frank Lloyd. It was selected as one of the best pictures of 1922 by New York Times, Chicago Tribune and the Los Angeles Times.

  2. Jul 2, 2013 · Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertak...

    • 71 min
    • 9.1K
    • Freemeo
  3. Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in by a gang of thieves who befriend him for their own purposes. All the while, there are secrets from Oliver's family history waiting to come to light. Written by Snow Leopard

  4. Oliver Twist (1922) -- (Movie Clip) Old Shrivelled Scoundrel Escaped orphan Oliver (Jackie Coogan) has wandered to the outskirts of London and met the Artful Dodger (Edouard Trebaol), who brings him to the wicked Fagin (Lon Chaney), in Frank Lloyd's version of Charles Dickens' Oliver Twist, 1922.

    • Frank Lloyd
    • Jackie Coogan
  5. Synopsis. Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in by a gang of thieves who befriend him for their own purposes. All the while, there are secrets from Oliver's family history waiting to come to light.

    • Frank Lloyd
    • 3
  6. The film stars Lon Chaney as Fagin and Jackie Coogan as Oliver Twist, and was hailed as one of the best pictures of 1922 by New York Times, Chicago Tribune and the Los Angeles Times. Although this film was long considered to be lost, a print eventually surfaced in Yugoslavia in 1973, but was lacking English language intertitles.

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  8. The 1922 Oliver Twist was actually the fifth or sixth silent adaptation of the Dickens novel but the best of that era. Chaney resists the temptation—which must have been difficult given the need for obvious histrionics in silent films—to play a Jewish stereotype. His Fagan is charming, scheming and whining as the character is required to be ...

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