Aliens (film)
1986
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Awards
Academy Award Visual Effects 1980 · Winner
British Academy of Film & Television Arts Production Design 1979 · Winner
British Academy of Film & Television Arts Soundtrack 1979 · Winner
Academy Award Art Direction 1980 · Nominated
British Academy of Film & Television Arts Costume Design 1979 · Nominated
British Academy of Film & Television Arts Supporting Actor 1979 · Nominated
British Academy of Film & Television Arts Anthony Asquith Award 1979 · Nominated
British Academy of Film & Television Arts Most Promising Newcomer to Leading Film Roles 1979 · Nominated
Golden Globe Best Original Score - Motion Picture 1979 · Nominated
British Academy of Film & Television Arts Film Editing 1979 · Nominated
- It was met with mixed reviews on release but was a box-office success, winning the Academy Award for Best Visual Effects, three Saturn Awards (Best Science Fiction Film, Best Direction for Scott, and Best Supporting Actress for Cartwright), and a Hugo Award for Best Dramatic Presentation.
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Alien: Won Saturn Awards: Best Science Fiction Film: Alien: Won Best Actress: Sigourney Weaver Nominated Best Director: Ridley Scott: Won Best Writing: Dan O'Bannon: Nominated Best Supporting Actress: Veronica Cartwright: Won Best Make-up: Pat Hay Nominated Best Special Effects: Brian Johnson and Nick Allder Nominated
Alien (1979) - Awards - IMDb. Back. Cast & crew. User reviews. Trivia. FAQ. IMDbPro. All topics. Awards. Alien. Jump to. 19 wins & 22 nominations. Academy Awards, USA. 1980 Nominee Oscar. Best Art Direction-Set Decoration. Michael Seymour. Leslie Dilley. Roger Christian. Ian Whittaker. 1980 Winner Oscar. Best Effects, Visual Effects. H.R. Giger.
It was met with mixed reviews on release but was a box-office success, winning the Academy Award for Best Visual Effects, three Saturn Awards (Best Science Fiction Film, Best Direction for Scott, and Best Supporting Actress for Cartwright), and a Hugo Award for Best Dramatic Presentation.
4 days ago · Here's what it was like seeing Ridley Scott's "Alien" on opening day in 1979, in honor of the iconic sci-fi horror film's 45th anniversary. ... Jeff Spry is an award-winning screenwriter and ...
- Plot
- Cast
- Writing
- Set Design
- Filming
- Special Effects
- Title Design
- Editing
- Release and Reception
- Merchandising
While returning to Earth, the commercial star freighter USCSS Nostromo, towing a refinery platform filled with 20,000,000 tons of mineral ore, detects a mysterious transmission from a nearby moon. In response, the ship's AI awakens the seven-man crew from stasis. Required by standing orders from their corporate employers to investigate the signal, ...
Dallas .... Tom SkerrittRipley .... Sigourney WeaverLambert .... Veronica CartwrightBrett .... Harry Dean StantonDan O'Bannon and Ronald Shusett
The impetus for Dan O'Bannon to write Alien stemmed from Dark Star, an ultra-low-budget science fiction comedy he had made with Ron Cobb and director John Carpenter while studying cinema at the University of Southern California. Dark Star included an alien which had been created using a spray-painted beach ball, and the experience left O'Bannon "really wanting to do an alien that looked real." The relatively cold reception the comedy Dark Starhad received also led O'Bannon in the direction of...
Walter Hill and David Giler
While O'Bannon and Shusett almost signed a deal to produce Alien as a low-budget feature with Roger Corman's studio, a friend offered to find them a better deal and passed their script on to Walter Hill, David Giler and Gordon Carroll at Brandywine Productions, which had ties to 20th Century Fox; supposedly, the script was literally found its way to Hill's desk through the window of his office, which backed onto an accessible alleyway. While Hill was immediately drawn to the script, Giler was...
Writing credits
The battle over the script came to a head when it came time to apportion screenplay credits for the film. According to O'Bannon, the film was originally to be credited solely to Hill and Giler.As a result, O'Bannon filed a complaint with the Writers Guild of America, who eventually ruled in his favor. Despite an appeal by Hill, the film ultimately credited its story to O'Bannon and Shusett, and the screenplay to O'Bannon; Hill and Giler were not mentioned at all. However, despite this officia...
Initial concept work for the film was carried out by Ron Cobb and Chris Foss. The production was keen to ensure the sets of Alien had a unique look. According to production designer Michael Seymour, "We were very concerned about avoiding any direct influence from previous space productions. We took the trouble to show ourselves Star Wars, Close Enc...
Alien was filmed over fourteen weeks from July 5 to October 21, 1978. Principal photography took place at Shepperton Studios near London, while model and miniature filming was done at Bray Studiosnear Maidenhead, Berkshire. Production time was short due to the film's low budget and pressure from 20th Century Fox to finish on schedule — filming actu...
Spaceships and planetoid
1. See also: USCSS Nostromo and Acheron (LV-426) The spaceships and planets for the film were shot using models and miniatures. These included models of the Nostromo, its attached mineral refinery, the escape shuttle Narcissus, the planetoid and the exterior and interior of the derelict. Visual effects supervisor Brian Johnson, supervising modelmaker Martin Bower and their team worked at Bray Studios, roughly 30 miles (48 km) from Shepperton Studios where principal filming was taking place. T...
Egg and Facehugger
1. See also: Ovomorph (Egg) and Facehugger The scene of Kane inspecting the Egg was shot during post-production. The "Facehugger" and its proboscis, which was made of a sheep's intestine, were shot out of the Egg using high-pressure air hoses. The Facehugger itself was the first creature that Giger designed for the film, going through several versions in different sizes before deciding on a small creature with human-like fingers and a long tail. Dan O'Bannon drew his own version based on Gige...
Chestburster
1. See also: Chestburster The design of the "Chestburster" was inspired by Francis Bacon's 1944 painting Three Studies for Figures at the Base of a Crucifixion. Giger's original design resembled a plucked chicken, which was redesigned and refined by effects artist Roger Dicken into the final version seen on-screen. When the creature burst through the prosthetic chest appliance worn by John Hurt, a stream of blood shot directly at Veronica Cartwright, shocking her enough that she fell over and...
Alien's iconic opening titles, in which the letters of the word A L I E N gradually appear on the screen one piece at a time, was created by the graphic designers Richard Greenberg, who had created the distinctive "flypast" opening credits for Richard Donner's Superman the previous year. The slowly-assembled title was originally intended to appear ...
Editing and post-production work on Alien took roughly twenty weeks to complete. Terry Rawlings served as editor, having previously worked with Scott on editing sound for The Duellists (1977). Scott and Rawlings edited much of the film to have a slow pace to build suspense for the more tense and frightening moments. According to Rawlings, "I think ...
An initial screening of Alien for 20th Century Fox representatives in St. Louis suffered from poor sound in the theater. A subsequent screening in a newer theater in Dallas went significantly better, eliciting genuine fright from the audience. Two theatrical trailers were shown to the public. The first consisted of rapidly changing still images set...
A wide range of merchandise items were produced to coincide with Alien's release. Adaptations of the movie included a novelization by Alan Dean Foster (in both adult and "junior" versions), a coffee table photonovel produced by Avon Publications, and a comic strip adaptation of the film by Heavy Metal magazine entitled Alien: The Illustrated Story....
Apr 26, 2019 · It was met with immediate critical acclaim and box office success, winning the Academy Award for Best Visual Effects; three Saturn Awards (Best Science Fiction Film, Best Director for Scott and...
