Yael Abecassis
Gabi
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Alila is a 2003 Israeli film directed by Amos Gitai and starring Yaël Abecassis, Uri Klauzner, and Hanna Laslo. The drama follows half a dozen very different characters through their lives in modern-day Israel, giving Gitai an opportunity to comment on his country's top social issues.
Oct 1, 2003 · Alila: Directed by Amos Gitai. With Yaël Abecassis, Hana Laslo, Uri Klauzner, Liron Levo. Slice-of-life look at the lives of twelve people who live or work in the same apartment complex in Tel Aviv.
Oct 19, 2013 · About. Directed by : Amos Gitaï Produced by : MP Productions Genre: Fiction - Runtime: 2 h French release: 01/10/2003 Production year: 2003 Until now old Schwartz h...
Feb 27, 2004 · FILM IN REVIEW; 'Alila'. Directed by Amos Gitai. In Hebrew, with English subtitles. Not rated, 123 minutes. The Israeli filmmaker Amos Gitai is an acerbic social critic who likes to point...
Feb 27, 2004 · Residents of (Yaël Abecassis, Uri Klauzner, Hanna Laslo) of an apartment building in the working-class section of Tel Aviv, Israel, go about their daily lives.
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Sep 7, 2003 · Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown.
Currently you are able to watch "Alila" streaming on Chai Flicks, Kino Film Collection. It is also possible to buy "Alila" on Amazon Video as download or rent it on Amazon Video online.
Sep 19, 2003 · Alila. Amos Gitai chooses a turbulent time in his country's history to make a sociological, less overtly political film. An ensemble drama laced with lighter...
Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's ...
Feb 27, 2004 · Israel's one-man new wave, Amos Gitai, surveys his nation's hardscrabble quotidian in Alila, which dallies with both Kiarostamian spirit and Altman-esque fabric, examining the intersecting lives of a dozen or so Tel Aviv residents.
