Lizabeth Scott
Jane Palmer
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Too Late for Tears is a 1949 American film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea. Directed by Byron Haskin, its plot follows a ruthless woman who resorts to multiple murders in an attempt to retain a suitcase containing US$60,000 ($609,000 in 2023) that does not belong to her.
Too Late for Tears: Directed by Byron Haskin. With Lizabeth Scott, Don DeFore, Dan Duryea, Arthur Kennedy. Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.
Too Late for Tears (1949) cast and crew credits, including actors, actresses, directors, writers and more.
Rent Too Late for Tears on Prime Video, or buy it on Prime Video. A woman (Lizabeth Scott) kills her husband and plots with a private eye (Dan Duryea) after someone tosses a moneybag into her...
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- Crime, Drama
Jane and Alan Palmer (Lizabeth Scott and Arthur Kennedy) are on their way to a party in the Hollywood Hills, hosted by Alan's boss and his wife. Jane Palmer begs her husband Alan, who is driving the couple's convertible, to turn the car around as she cannot face the party's hostess and her condescending ways.
She Got What She Wanted... With Lies... With Kisses... With Murder!One night on a lonely highway, a speeding car tosses a bag of money, into Jane and Alan Pa...
A married woman's discovery of stolen money changes her character for the worse.
Too Late for Tears. Scott turns in one of the best "femme fatale" performances of all time as she portrays a scheming woman who eliminates everyone in her way as she tries to make off with 60-grand in blackmail money.
Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder. Byron Haskin. Director. Roy Huggins.
Jan 18, 2017 · Jane Palmer (Scott) and her husband Alan (Arthur Kennedy) mysteriously have $60,000 literally dropped in their laps. The circumstances seem mighty suspicious to Alan, who wants to turn the money over to the police. But in a materialistic rapture, Jane won’t let it go.
