Lolita Sevilla
Carmen Vargas
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Welcome Mr. Marshall! (Spanish: ¡Bienvenido, Mister Marshall!) is a 1953 Spanish comedy film directed by Luis García Berlanga, and considered one of the masterpieces of Spanish cinema. The film highlights the stereotypes held by both the Spanish and the Americans regarding the culture of the other, as well as displays social criticism of ...
Welcome Mr. Marshall!: Directed by Luis García Berlanga. With Lolita Sevilla, Manolo Morán, José Isbert, Alberto Romea. After finding out that North American people are visiting the Spanish villages, the citizens of Villar del Río start preparing themselves to welcome them when they arrive.
- (4.8K)
- Comedy
- Luis García Berlanga
- 1953-07-17
Welcome Mr. Marshall. Released Nov 19, 1993 1h 35m Comedy Musical List. Reviews 94% Audience Score 500+ Ratings Excited Spanish villagers plan an elaborate reception for an American committee...
- (17)
- Luis García Berlanga
- Comedy, Musical
- Lolita Sevilla
Summaries. After finding out that North American people are visiting the Spanish villages, the citizens of Villar del Río start preparing themselves to welcome them when they arrive. The little village of Villar del Río awaits the song performance of Carmen Vargas, 'The Great Andalusian Star'.
(Bienvenido Mr Marshall!) sees the poverty-stricken Spanish village of Villar del Río put on its best face in the hope of attracting the munificence of a delegation of Americans in charge of the European Recovery Plan (a.k.a. the Marshall Plan).
Welcome Mr. Marshall! Directed by Luis García Berlanga • 1953 • Spain. Starring Lolita Sevilla, Manolo Morán, José Isbert. A distant land shrouded in myth and rumor, America looms large in the cultural imagination of a quiet Castilian village, whose impressionable inhabitants dream of benefitting from the country’s postwar plans to aid Europe.
Welcome Mr. Marshall! is a 1953 Spanish comedy film directed by Luis García Berlanga, and considered one of the masterpieces of Spanish cinema. The film highlights the stereotypes held by both the Spanish and the Americans regarding the culture of the other, as well as displays social criticism of 1950s Francoist Spain .
