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  1. Through a Glass Darkly

    Through a Glass Darkly

    1961 · Drama · 1h 31m

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  1. Swedish. Through a Glass Darkly ( Swedish: Såsom i en spegel, lit. 'As in a Mirror') is a 1961 Swedish drama film written and directed by Ingmar Bergman, and starring Harriet Andersson, Gunnar Björnstrand, Max von Sydow and Lars Passgård. The film tells the story of a schizophrenic young woman (Andersson) vacationing on a remote island with ...

  2. Through a Glass Darkly: Directed by Ingmar Bergman. With Harriet Andersson, Gunnar Björnstrand, Max von Sydow, Lars Passgård. Recently released from a mental hospital, Karin rejoins her emotionally disconnected family in their island home, only to slip from reality as she begins to believe she is being visited by God.

    • (27K)
    • Drama
    • Ingmar Bergman
    • 1961-10-16
  3. "Through a Glass Darkly," originally titled "The Wallpaper," is the first part in a film trilogy, the start to a new direction taken by Ingmar Bergman: "chamber films," so named for their analogy to chamber music. First Movement.

  4. Jul 24, 2008 · The great subject of the cinema, Ingmar Bergman believed, is the human face. He'd been watching Antonioni on television, he told me during an interview, and realized it wasn't what Antonioni said that absorbed him, but the man's face. Bergman was not thinking about anything as simple as a closeup, I believe. He was thinking about the study of the face, the intense gaze, the face as window to ...

  5. Through a Glass Darkly. While vacationing on a remote island retreat, a family finds its fragile ties tested when daughter Karin (an astonishing Harriet Andersson) discovers her father (Gunnar Björnstrand) has been using her schizophrenia for his own literary ends. As she drifts in and out of lucidity, Karin’s father, her husband (Max von ...

    • Karin, Martin, David, Minus
  6. Winner of the Academy Award for best foreign-language film, Through a Glass Darkly, the first work in Ingmar Bergman’s trilogy on faith and the loss of it, presents an unflinching vision of a family’s near disintegration and a tortured psyche further taunted by the intangibility of God’s presence.

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  8. THROUGH A GLASS DARKLY: Exploring the Film In this discussion, recorded in 2003, Ingmar Bergman biographer peter Cowie offers additional context for the film trilogy of which THROUGH A GLASS DARKLY is a part, as well as for the film specifically—its inception, key players, and themes.

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