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  1. With Charlotte Gainsbourg, Niels Schneider, Nathan Willcocks, Julia Roy. Trapped in marriage to a wealthy, unfaithful businessman, a middle aged mother takes a break and goes with her young lover to a Riviera beach house where she plans a family vacation for the summer.

    • (268)
    • Drama
    • Benoît Jacquot
    • 2021-06-02
  2. Oct 7, 2021 · The central figure in the French drama “Suzanna Andler” is a woman for whom passion, tragedy and indecision elicit the same response — a shrug. Her voice never raises; her face rarely ...

    • Teo Bugbee
    • Benoît Jacquot
  3. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the...

    • Drama
    • Benoît Jacquot
  4. Sep 28, 2021 · Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover (Niels Schneider). Drama.

    • (1)
    • Niels Schneider
    • Benoit Jacquot
  5. Oct 8, 2021 · Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

  6. May 5, 2021 · Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between...

    • 2 min
    • 12.3K
    • Unifrance
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  8. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover (Niels Schneider).

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