Angela Bundalovic
Ida
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Copenhagen Does Not Exist: Directed by Martin Skovbjerg. With Angela Bundalovic, Jonas Holst Schmidt, Zlatko Buric, Vilmer Trier Brøgger. A young woman named Ida disappears without a trace.
- (466)
- Drama
- Martin Skovbjerg
- 2023-02-09
Dec 19, 2022 · “Copenhagen Does Not Exist” is produced by Eva Jakobsen, Mikkel Jersin and Katrin Pors for Snowglobe. The film is co-produced by Oslo Pictures, Zentropa Sweden and Don’t Look Now, with ...
- Leo Barraclough
Martin Skovbjerg, Denmark, 2023. A young woman has disappeared without a trace. Three months later her boyfriend agrees to an unusual arrangement: to be locked in an apartment and interrogated by the woman’s father. It soon becomes obvious that even long before her disappearance, the two lovers had chosen a strange and unconventional life ...
- København findes ikke
- København findes ikke
- Martin Skovbjerg
- Eskil Vogt
Jan 30, 2023 · ‘Copenhagen Does Not Exist’: Rotterdam Review. By Neil Young 2023-01-30T20:25:00+00:00. A man looks back over an intense relationship in this Danish drama written by Eskil Vogt.
Feb 6, 2023 · Review: Copenhagen Does Not Exist. 06/02/2023 - Martin Skovbjerg’s sophomore feature is intriguing on the whole, but its flaws stem from the fact that some of its main characters are largely underwritten. Jonas Holst Schmidt and Angela Bundalovic in Copenhagen Does Not Exist. ], opens with a rather intriguing premise.
- Davide Abbatescianni
Copenhagen Does Not Exist is a ponderous mystery poem, by Martin Skovbjerg, starring Angela Bundalovic as a beloved but petite orphan and Jonas Holst Schmidt as the aimless youngster who watched her live and saw her die, that is a moderately engaging and lyrical story about first love, gnawing regret, and the lies we tell to cope with shame ...
People also ask
Is 'Copenhagen does not exist' a Danish film?
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Is Copenhagen does not exist a thriller?
Copenhagen Does Not Exist is a thriller, first and foremost; a cat and mouse game where one is ever less sure who is what – and who is really the perpetrator, who the victim. But inside this lurks something more disturbing than well-crafted suspense: a meditation on the nature of presence and seeing – the fundamentals of cinema.
