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  2. William Bradford "Bill" Keith (December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular " Scruggs style " of banjo playing (an integral element of bluegrass music ) which would soon become known as ...

  3. Oct 24, 2015 · Bill Keith, among the very few three-finger banjo players to discernibly widen the scope of the instrument in bluegrass music since Earl Scruggs, has died at the age of 75. He had been suffering of late from the effects of a cancer that had sapped his energy, though he did manage an appearance at the 2015 International Bluegrass Music Awards in ...

  4. Oct 27, 2015 · Oct. 26, 2015. Bill Keith, a banjo player who modernized his instrument and expanded its musical reach, died on Friday at his home in Woodstock, N.Y. He was 75. The cause was complications of...

    • Bill Friskics-Warren
  5. Oct 27, 2015 · Banjo player Bill Keith passed away at 75 last Friday, October 23rd, after complications due to cancer. He died in his home in Bearsville, N.Y. Keith is widely considered a pioneer of banjo...

    • Barry Alfonso
  6. Hall of Fame Inductees. Recognizing the pioneers of bluegrass music. William Bradford “Bill” Keith. Year Inducted: 2015 Born: December 20, 1939 in Boston, Massachusetts, United States Died: October 23, 2015 in Bearsville, New York, United States Primary Instrument: Banjo.

  7. Oct 23, 2015 · December 20, 1939 in Boston, MA. Died. October 23, 2015 in Woodstock, NY. Genre. Country. Styles. Bluegrass, Progressive Bluegrass, Instrumental Country. Also Known As. Bradford Keith. William Bradford Keith. Member Of. Woodstock Mountain Revue, Great Speckled Bird, Jim Kweskin & the Jug Band. Articles. Staff Picks. Advanced Search. Remove Ads.

  8. Dec 13, 2016 · Keith was not only an innovative banjo player and an influence on newgrass and Dawg music, he was a significant contributor to the improvement of banjo hardware. It all began in 1961 when he moved to Washington D.C. to learn banjo-making techniques under Tom Morgan.

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