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Henry Jaglom. Henry David Jaglom [1] (born January 26, 1938) [2] is an English-born American actor, film director and playwright . Life and career. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. [3] .
Actor. IMDbPro Starmeter See rank. Play trailer 2:04. Magician: The Astonishing Life and Work of Orson Welles (2014) 6 Videos. 11 Photos. Henry Jaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s.
- January 1, 1
- 2 min
- London, England, UK
Overview. Born. January 26, 1938 · London, England, UK. Nickname. Henna. Mini Bio. Henry Jaglom trained with Lee Strasberg at. the Actors Studio in New York, where he acted, wrote and directed. off-Broadway theater and cabaret before settling in Hollywood in the. late 1960s. Under contract to Columbia Pictures, Jaglom guest-starred.
- January 26, 1938
Jul 20, 2013 · Director Henry Jaglom was a close friend of Orson Welles — and with Welles' permission, he recorded several years' worth of their lunchtime conversations. Nearly 30 years after Welles' death ...
Casting. 1985. Always …. Producer. From Wikipedia, the free encyclopedia. Henry Jaglom is a London-born American film director and playwright. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business.
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Henry Jaglom—the innovative filmmaker, director, and screenwriter—has remained independent of the so-called Hollywood studio system by ensuring that all his films, on the advice of Orson Welles, “Never need Hollywood.” In 1971, Jaglom persuaded Welles to appear in A Safe Place, and the two began having lunch together weekly in 1978.
Oct 17, 2012 · October 17, 2012. Photo: Rainbow Releasing. Henry Jaglom is one of those directors who people love or hate; indifference is hard to imagine. The divisive filmmaker’s work is talky—the dialogue is often improvised—and highly idiosyncratic, not unlike his characters.
