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  1. en.wikipedia.org › wiki › Get_SmartGet Smart - Wikipedia

    Get Smart is an American comedy television series parodying the secret agent genre that had become widely popular in the first half of the 1960s with the release of the James Bond films. It was created by Mel Brooks and Buck Henry, and had its television premiere on NBC on September 18, 1965.

  2. Get Smart is a 1960s sitcom about a bumbling spy, Maxwell Smart, and his partner Agent 99, who work for the CONTROL agency against the evil KAOS. The show features hilarious gadgets, catchphrases, and guest stars in 138 episodes.

    • (14K)
    • 1965-09-18
    • Action, Adventure, Comedy
    • 25
  3. Jun 20, 2008 · A remake of the classic TV series, Get Smart follows bumbling spy Maxwell Smart and his partner Agent 99 as they try to stop a terrorist plot from KAOS. Watch the trailer, see the cast and crew, read user and critic reviews, and find out more about this PG-13 rated movie.

    • (229K)
    • Action, Adventure, Comedy
    • Peter Segal
    • 2008-06-20
  4. Get Smart is a 2008 American spy action comedy film directed by Peter Segal, written by Tom J. Astle and Matt Ember and produced by Leonard B. Stern, who is also the producer of the original series. The film is based on Mel Brooks and Buck Henry's television series of the same name.

  5. Nov 2, 2015 · Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the series stars Don Adams (as Maxwell Smart, Agent 86), Barbara ...

    • 15 min
    • 2.9M
    • TeeVees Greatest
  6. Jun 20, 2008 · When members of the nefarious crime syndicate KAOS attack the U.S. spy agency Control and the identities of secret agents are compromised, the Chief has to promote hapless but eager analyst Maxwell Smart to field agent.

  7. Jun 19, 2008 · A comedy adaptation of the classic TV series, starring Steve Carell as a bumbling secret agent who tries to stop a KAOS plot to nuke Los Angeles. Roger Ebert praises the film's humor, action, and casting, but questions its taste in depicting terrorism as entertainment.

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