Matt Bomer
Monroe Stahr
Search results
Cast
Episode Guide
- 1. Pilot Jun 17, 2016
- Monroe Stahr goes up against his father figure and boss, Pat Brady, for the soul of their studio.
- 2. Nobody Recasts Like Monroe Jul 28, 2017
- Monroe pursues Kathleen; Pat Brady accepts Monroe's help; Hackett gives Celia an education.
- 3. More Stars Than There Are in Heaven Jul 28, 2017
- Pat Brady proves his worth as a studio head; Monroe and Kathleen's relationship blossoms.
The Last Tycoon is a 2016-2017 American drama series based on F. Scott Fitzgerald's unfinished novel. It stars Matt Bomer as a fictional Hollywood producer and features guest stars such as Hailee Steinfeld and Jennifer Beals.
The Last Tycoon: Created by Billy Ray. With Matt Bomer, Kelsey Grammer, Lily Collins, Dominique McElligott. Centers on Hollywood's first wunderkind studio executive in the 1930s, Monroe Stahr, and the power struggle between him, his mentor, and current head of the studio, Pat Brady.
- (5.7K)
- 2016-06-17
- Drama
- 60
The Last Tycoon is a film based on F. Scott Fitzgerald's unfinished novel about a Hollywood producer in the 1930s. It stars Robert De Niro, Tony Curtis, Robert Mitchum and Jack Nicholson, and was directed by Elia Kazan.
The Last Tycoon is an unfinished novel by F. Scott Fitzgerald, published posthumously in 1941. It is a roman à clef about Hollywood producer Monroe Stahr, based on Irving Thalberg, and his love affairs, conflicts and death.
- F. Scott Fitzgerald
- 1941
The Last Tycoon is a TV series based on F. Scott Fitzgerald's last work, set in 1930s Hollywood. The episode list shows the titles, ratings, and summaries of the nine episodes that aired in 2016 and 2017.
The Last Tycoon: Directed by Elia Kazan. With Robert De Niro, Tony Curtis, Robert Mitchum, Jeanne Moreau. F. Scott Fitzgerald's novel is brought to life in this story of a movie producer slowly working himself to death.
A TV adaptation of F. Scott Fitzgerald's unfinished novel about a Hollywood executive in the 1930s. Critics and viewers give mixed reviews, praising the production values and cast, but criticizing the story and dialogue.
