Yahoo Web Search

  1. / Movies & TV Shows
  2. Sex, Censorship and the Silver Screen

    Sex, Censorship and the Silver Screen

    1996 · History

Search results

  1. Sex, Censorship and the Silver Screen: With Raquel Welch, Jason Alexander, Dan Aykroyd, Marisa Tomei. A six hour series exploring the 100 year evolution of sexuality and censorship in motion pictures.

    • (108)
    • 1996
    • Documentary, History
    • 50
  2. Veronica Lake with her peekaboo hairstyle and Lana Turner, the sweater girl, are among the new sex symbols of the 1940s. The first genuinely successful challenge to the Hays Office came from Howard Hughes whose film The Outlaw (1943) starred the buxom Jane Russell.

  3. Censored: Directed by Frank Martin. With Raquel Welch, Jason Alexander, Sam Anderson, Edward Asner. By the 1930s, the Hays Office was in firm control of censorship. The Hollywood studios were constantly trying to find ways to circumvent those controls by inventing snappy dialog and innuendo.

    • Frank Martin
    • 1996
    • Documentary, History
    • Raquel Welch, Jason Alexander, Sam Anderson
  4. A six hour series exploring the 100 year evolution of sexuality and censorship in motion pictures.

  5. The 100 year evolution of sexuality and censorship in motion pictures. Filled with Hollywood’s most compelling historical figures such as Marilyn Monroe, Veronica Lake and Brigitte Bardot, it provides a finely balanced, critical and objective look at the often delicate subject of content in film.

    • (2)
  6. The 100 year evolution of sexuality and censorship in motion pictures. Filled with Hollywood’s most compelling historical figures such as Marilyn Monroe, Veronica Lake and Brigitte Bardot, it provides a finely balanced, critical and objective look at the often delicate subject of content in film.

  7. The 100 year evolution of sexuality and censorship in motion pictures. Filled with Hollywood’s most compelling historical figures such as Marilyn Monroe, Veronica Lake and Brigitte Bardot, it provides a finely balanced, critical and objective look at the often delicate subject of content in film.