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  1. Gian Lorenzo (or Gianlorenzo) Bernini (UK: / b ɛər ˈ n iː n i /, US: / b ər ˈ-/, Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect.

  2. Learn about the life and work of Gian Lorenzo Bernini, a Baroque sculptor and architect who revolutionized the art of sculpture with his emotional and sensual depictions of human figures. Explore his famous sculptures, such as The Rape of Proserpina, Apollo and Daphne, and David, and his influence on later artists.

    • Italian
    • November 28, 1680
    • Naples
  3. Learn about the life and achievements of Gian Lorenzo Bernini, the foremost sculptor of the baroque period and a versatile artist in various media. Explore his masterpieces in Rome, such as the Baldacchino, the Cornaro Chapel, and the Four Rivers fountain.

    • David (ca. 1623–24) When Bernini created this statue in his mid 20s, he became a sensation. For about a decade, Bernini had been treated as a prodigy among the Italian elite, and so it was hardly surprising that he caught the eye of Cardinal Scipioni Borghese.
    • Apollo and Daphne (1622–25) Bernini’s greatest talent was his ability to transform marble—a cold, elegant material—into something that felt profoundly alive.
    • Baldacchino for St. Peter’s Basilica (1623–34) When Los Angeles’s Getty Museum mounted the first-ever Bernini retrospective in the U.S. in 2008, critic Arthur Lubow asked curator Catherine Hess why there hadn’t been a show like it sooner.
    • The Ecstasy of Saint Teresa (1647–52) By the mid-17th century, Bernini’s name was well-known to many in Rome, thanks, in part, to the working relationship he forged with Pope Urban VIII.
  4. Learn about the life and works of Gian Lorenzo Bernini, a renowned artist and prince of the Baroque era. Explore documents, images, and works of art from the National Gallery of Art and other institutions.

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  6. Gian Lorenzo Bernini dominated the Roman art world of the seventeenth century, flourishing under the patronage of its cardinals and popes while also challenging contemporary artistic traditions. His sculptural and architectural projects reveal an innovative interpretation of subjects, use of forms, and combination of media.

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