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Henry van de Velde by Georg Kolbe, 1913, Albertinum gallery, Dresden Ghent, Belgium: Boekentoren of Ghent University (to the right.) Henry Clemens van de Velde ( Dutch: [ˌɑ̃ːˈri vɑn də ˈvɛldə] ; 3 April 1863 – 15 October 1957) [1] was a Belgian painter, architect, interior designer, and art theorist.
Henry van de Velde (born April 3, 1863, Antwerp, Belg.—died Oct. 25, 1957, Zürich, Switz.) was a Belgian architect and teacher who ranks with his compatriot Victor Horta as an originator of the Art Nouveau style, characterized by long sinuous lines derived from naturalistic forms.
- The Editors of Encyclopaedia Britannica
Henry Clemens van de Velde (Dutch: [ɑ̃ˈri vɑndəˈvɛldə]; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. [2]
- April 3, 1863
- October 15, 1957
Apr 15, 2024 · It is no coincidence that Henry van de Velde’s work of the early-1900s bears a striking resemblance to work produced two decades later at the Bauhaus. Van de Velde is intrinsically linked to the development of Modernism and originated the aesthetic the Bauhaus would adopt soon after its founding.
- Male
- Freelance
- Journalist
- March 22, 1991
Jan 6, 2015 · Henry Clemens van de Velde was a Belgian painter, architect and interior designer. Together with Victor Horta and Paul Hankar he could be considered as one of the main founders and representatives of Art Nouveau in Belgium, van de Velde spent the most important part of his career in Germany and had a decisive influence on German architecture ...
Henry Clemens van de Velde (Dutch: [ˌɑ̃ːˈri vɑn də ˈvɛldə]; 3 April 1863 – 15 October 1957) was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium.
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Van de Velde gave everything in the house, from the door furnishings to the wallpaper, the same patterns of embellishments and flowing linear shapes, demonstrating the idea of Gesamtkunstwerk (“total work of art”) in the creation of a living space.
