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Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [2] Kael's opinions often ran contrary to those of her contemporaries.
Oct 14, 2011 · Five Classic Pauline Kael Reviews. By Nathan Heller. October 14, 2011. In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing ...
Jul 15, 2023 · Kael was an early fan of director Brian De Palma, one of the many filmmakers she helped popularize with her reviews.His Hitchcockian use of suspense, sex, and violence appealed to her, but she ...
Pauline Kael was a prominent American film critic of the second half of the 20th century. Kael graduated from the University of California at Berkeley in 1940. For a number of years she made a precarious living with various minor jobs.
Oct 14, 2011 · Pauline Kael, the longtime New Yorker critic, in 1986. She is the subject of a new biography, “Pauline Kael: A Life in the Dark.” Credit... Robin Holland/Corbis Outline
Jun 5, 2019 · Pauline Kael, perhaps the most passionate and formative of all American film critics, was able to transform 20th century cinema with just the power of her typewriter. Singular and uncompromising ...
Sep 4, 2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker, died yesterday at her home in Great Barrington, Mass. She was 82.
Jun 7, 2019 · It was Pauline Kael, for fuck’s sake. For many movie lovers in the late ’60s, ’70s, and ’80s, Kael was the most exciting critic ...
Nov 3, 2011 · Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies. AP hide caption
Pauline Kael: On art & trash, life & lice. Cannes 1977: Left to right: Dusty Cohl and Bill Marshall, co-founders of the Toronto Film Festival; Roger Ebert, publicist Linda Beath, Billy (Silver Dollar) Baxter, and Pauline Kael, who was on the jury. It's a notion that takes some growing used to, but Pauline Kael makes her case persuasively ...
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