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Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the Théâtre Français . Biography. He was born at Limoges. After studying at the lycée Bonaparte in Paris, he became a journalist, achieving great success as dramatic critic to Le Figaro and to the Opinion nationale.
Arsène Arnaud Clarétie, dit Jules Claretie ou Jules Clarétie, né le 3 décembre 1840 à Limoges et mort le 23 décembre 1913 à Paris 2, est un romancier, dramaturge français, également critique dramatique, historien et chroniqueur de la vie parisienne.
- Guerre franco-allemande de 1870
Jules Arsène Arnaud Claretie. born Limoges, France: 3 December 1840. died Paris: 23 December 1913. works (highly selected) L'Obsession (Moi et l'Autre) (Paris: Lafitte, 1908) [binding unknown/] Obsession (Encino, California: Hollywood Comics/Black Coat Press, 2013) [trans by Brian Stableford of the above: pb/Chris Wallon] links.
Dec 6, 2018 · CLARETIE, JULES ARSÈNE ARNAUD (1840–), French man of letters and director of the Théâtre Français, was born at Limoges on the 3rd of December 1840. After studying at the lycée Bonaparte in Paris, he became an active journalist, achieving great success as dramatic critic to the Figaro and to the Opinion nationale .
Author. : Jules Claretie. sister projects: Wikipedia article, Commons category, Wikidata item. French writer; commonly referred to as Jules Claretie; known also by Arsène Arnaud Claretie or Jules Arsène Arnaud Claretie.
JULES ARSENE ARNAUD CLARETIE (1840-), French man of letters and director of the Theatre Frangais, was born at Limoges on the 3rd of December 1840. After studying at the lycee Bonaparte in Paris, he became an active journalist, achieving great success as dramatic critic to the Figaro and to the Opinion nationale.
Jules Arsène Arnaud Claretie (3 December 1840 – 23 December 1913) was a French literary figure and director of the Théâtre Français. He was born at Limoges. After studying at the lycée Bonaparte in Paris, he became a journalist, achieving great success as dramatic critic to Le Figaro and to the Opinion nationale.
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