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  1. en.wikipedia.org › wiki › John_AugustJohn August - Wikipedia

    One Hit Kill. Launch. Personal life. Filmography. References. External links. John August (born August 4, 1970) is an American screenwriter, director, producer, and novelist.

  2. www.imdb.com › name › nm0041864John August - IMDb

    John August's screenwriting credits include Go (1999), Big Fish (2003), Titan A.E. (2000), Charlie's Angels (2000), and Charlie's Angels: Full Throttle (2003). Born and raised in Boulder, Colorado, John earned a degree in journalism from Drake University in Iowa and an MFA in film from the Peter Stark program at the University of Southern ...

    • Writer, Producer, Director
    • August 4, 1970
    • 2 min
  3. John August is a screenwriter and filmmaker who has worked on Go, Big Fish, Titan A.E., Charlie's Angels, and Charlie's Angels: Full Throttle. He has a weekly screenwriting column on IMDb and a podcast with Craig Mazin. He was born in Boulder, Colorado, and has a daughter with his partner, Mike.

    • August 4, 1970
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  5. www.wikiwand.com › en › John_AugustJohn August - Wikiwand

    John August (born August 4, 1970) is an American screenwriter, director, producer, and novelist. He is known for writing the films Go (1999), Charlie's Angels (2000), Charlie's Angels: Full Throttle (2003), Big Fish (2003), Charlie and the Chocolate Factory (2005), Corpse Bride (2005), Frankenweenie (2012), the Disney live-action adaptation of ...

  6. I’m mostly known as a screenwriter. My credits include Go, Big Fish, Charlie’s Angels, Titan A.E., Charlie and the Chocolate Factory, Corpse Bride and Frankenweenie. I’m writing the Arlo Finch series of middle-grade fiction books. If you like Harry Potter or Percy Jackson, there’s a good chance you’ll dig them.

  7. 3 days ago · John and Craig can’t help but look at intrinsic motivations — those specific internal drives that guide characters behavior. They discuss how to structure and expose that internal drive, the importance of an innate irritability, how it can stop your characters from becoming flat, and rewarding that intrinsic motivation with choice.

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