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  1. From Wikipedia, the free encyclopedia A frequency synthesizer is an electronic circuit that generates a range of frequencies from a single reference frequency.

    Frequency synthesizer - Wikipedia
  2. Synthesizer - Wikipedia

    A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals.Synthesizers generate audio through methods including subtractive synthesis, additive synthesis, and frequency modulation synthesis.

  3. From Simple English Wikipedia, the free encyclopedia Telharmonium, Thaddeus Cahill 1897 Trautonium, 1928 A musical synthesizer is an instrument that uses electricity to make musical sounds.

  4. Moog synthesizer - Wikipedia

    The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1980. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today.

    • 1965—1980
    • VCO
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    How do synthesizers make music?

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  6. Synthesizer - Wikipedia

    De synthesizer is een van de meest veelzijdige instrumenten ter wereld vanwege het groot aantal mogelijke klankkleuren dat ermee gemaakt kan worden. Muziekgenres als trance , dance , synthpop , electro , elektronische muziek , techno , trap , house etc. zouden zonder de uitvinding van de synthesizer nooit ontstaan zijn.

  7. Frequency synthesizer - Wikipedia
    • Overview
    • Types
    • History
    • System analysis and design
    • Principle of PLL synthesizers
    • Practical considerations

    A frequency synthesizer is an electronic circuit that generates a range of frequencies from a single reference frequency. Frequency synthesizers are used in many modern devices such as radio receivers, televisions, mobile telephones, radiotelephones, walkie-talkies, CB radios, cable television converter boxes, satellite receivers, and GPS systems. A frequency synthesizer may use the techniques of frequency multiplication, frequency division, direct digital synthesis, frequency mixing, and phase-

    Three types of synthesizer can be distinguished. The first and second type are routinely found as stand-alone architecture: direct analog synthesis and the more modern direct digital synthesizer. The third type are routinely used as communication system IC building-blocks: indirect digital synthesizers including integer-N and fractional-N.

    Prior to widespread use of synthesizers, in order to pick up stations on different frequencies, radio and television receivers relied on manual tuning of a local oscillator, which used a resonant circuit composed of an inductor and capacitor, or sometimes resonant transmission lines; to determine the frequency. The receiver was adjusted to different frequencies by either a variable capacitor, or a switch which chose the proper tuned circuit for the desired channel, such as with the turret tuner

    A well-thought-out design procedure is considered to be the first significant step to a successful synthesizer project. In the system design of a frequency synthesizer, states Manassewitsch, there are as many "best" design procedures as there are experienced synthesizer designers. System analysis of a frequency synthesizer involves output frequency range, frequency increments, frequency stability, phase noise performance, switching time, and size, power consumption, and cost. James A. Crawford s

    A phase locked loop is a feedback control system. It compares the phases of two input signals and produces an error signal that is proportional to the difference between their phases. The error signal is then low pass filtered and used to drive a voltage-controlled oscillator which creates an output frequency. The output frequency is fed through a frequency divider back to the input of the system, producing a negative feedback loop. If the output frequency drifts, the phase error signal will inc

    In practice this type of frequency synthesizer cannot operate over a very wide range of frequencies, because the comparator will have a limited bandwidth and may suffer from aliasing problems. This would lead to false locking situations, or an inability to lock at all. In addition, it is hard to make a high frequency VCO that operates over a very wide range. This is due to several factors, but the primary restriction is the limited capacitance range of varactor diodes. However, in most systems w

  8. Synthesizer – Wikipedia

    En synthesizer (från grekiska "syn" och "thesis", en sammanslagning av ljudpåverkande moduler), vardagligen synt eller synth, är ett elektroniskt musikinstrument som via analog eller digital ljudsyntes förmår skapa ett näst intill oändligt antal olika ljud.

  9. Synth-pop - Wikipedia
    • Overview
    • Characteristics
    • History
    • Criticism and controversy
    • Influence and legacy

    Synth-pop is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic music

    Synth-pop was defined by its primary use of synthesizers, drum machines and sequencers, sometimes using them to replace all other instruments. Borthwick and Moy have described the genre as diverse but "...characterised by a broad set of values that eschewed rock playing styles, rhythms and structures", which were replaced by "synthetic textures" and "robotic rigidity", often defined by the limitations of the new technology, including monophonic synthesizers. Many synth-pop musicians had limited

    Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, around the same time as rock music began to emerge as a distinct musical genre. The Mellotron, an electro-mechanical, polyphonic sample-playback keyboard was ov

    Early guitar-based punk rock that came to prominence in the period 1976–77 was initially hostile to the "inauthentic" sound of the synthesizer, but many new wave and post-punk bands that emerged from the movement began to adopt it as a major part of their sound. British ...

    The emergence of synth-pop has been described as "perhaps the single most significant event in melodic music since Mersey-beat". By the 1980s synthesizers had become much cheaper and easier to use. After the definition of MIDI in 1982 and the development of digital audio, the cre

    Synth-pop has received considerable criticism and even prompted hostility among musicians and in the press. It has been described as "anaemic" and "soulless". Synth-pop's early steps, and Gary Numan in particular, were also disparaged in the British music press of the late 1970s and early 1980s for their German influences and characterised by journalist Mick Farren as the "Adolf Hitler Memorial Space Patrol". In 1983, Morrissey of the Smiths stated that "there was nothing more repellent than the

    By the mid-1980s, synth-pop had helped establish the synthesizer as a primary instrument in mainstream pop music. It also influenced the sound of many mainstream rock acts, such as Bruce Springsteen, ZZ Top and Van Halen. It was a major influence on house music, which grew out of the post-disco dance club culture of the early 1980s as some DJs attempted to make the less pop-oriented music that also incorporated influences from Latin soul, dub, rap music, and jazz. American musicians such as Juan

  10. Synthwave - Wikipedia

    synth-pop vaporwave Synthwave (also called outrun , retrowave , or futuresynth [5] ) is an electronic music microgenre that is based predominately on the music associated with action, science-fiction, and horror film soundtracks of the 1980s. [2]

  11. Speech synthesis - Wikipedia

    The first articulatory synthesizer regularly used for laboratory experiments was developed at Haskins Laboratories in the mid-1970s by Philip Rubin, Tom Baer, and Paul Mermelstein. This synthesizer, known as ASY, was based on vocal tract models developed at Bell Laboratories in the 1960s and 1970s by Paul Mermelstein, Cecil Coker, and colleagues.

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