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- The most common patterns are used throughout English poetry. They include iambic pentameter, blank verse (or unrhymed iambic pentameter,) and free verse. The latter refers to a poem that lacks a meter or rhymes entirely. Another common meter includes iambic trimeter.
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Common Meter Examples. Common meter is found in poetry ranging from folk ballads to the work of Emily Dickinson. While it's less common in contemporary poetry, it is regularly found in television show theme songs. Common Meter in Dickinson's "Because I could not stop for Death"
Examples. See also. References. Common metre or common measure [1] —abbreviated as C. M. or CM —is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.
Whereas ballad metre usually has a variable number of unaccented syllables, common metre consists of regular iambic lines with an equal number of stressed and unstressed syllables. The song “Amazing Grace” by John Newton is an example of common metre, as can be seen in the following verse:
- The Editors of Encyclopaedia Britannica
The most common examples of metrical feet include: Trochee: stressed syllable followed by unstressed syllable, as in “custom”. Iamb : unstressed syllable followed by stressed syllable, as in “describe”. Spondee : equal stress for both syllables, as in “cupcake”.
Examples of Meter in Literature Example #1. My mistress’ eyes are nothing like the sun; Coral is far more red than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. (“Sonnet 130” by William Shakespeare)
Below are the most common types of meter. Writers can select one of these patterns, or more, to use in their poems. Depending on the selected meter, it may be easier or hard to consistently use it throughout a poem. These patterns all have a specific number of syllables. Iamb: contains one unstressed and one stressed syllable.
