Amy Adams
Margaret Keane
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- DictionaryOne's eyes are bigger than one's stomach
- ▪ used to suggest that one has asked for or taken more food than one can actually eat
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English. Budget. $10 million [2] Box office. $29.3 million [3] Big Eyes is a 2014 American biographical drama film directed by Tim Burton, written by Scott Alexander and Larry Karaszewski, and starring Amy Adams and Christoph Waltz. It is about the relationship between American artist Margaret Keane and her second husband, Walter Keane, who, in ...
- $29.3 million
- Tim Burton
- $10 million
- Danny Elfman
His paintings of waif-thin girls with eyes four times their normal size were dubbed “the most popular art now being produced in the free world” in a 1965 LIFE story. But Walter Keane, it turns ...
Dec 25, 2014 · Big Eyes: Directed by Tim Burton. With Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter. A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
- (97K)
- Biography, Crime, Drama
- Tim Burton
- 2014-12-25
Dec 25, 2014 · Reviews. Big Eyes. Sheila O'Malley December 25, 2014. Tweet. Big Eyes. Now streaming on: Powered by JustWatch. In Woody Allen's " Sleeper ," a hip party-goer 200 years in the future presents a print of a big-eyed waif child to hostess Luna ( Diane Keaton ), and Luna breathes in awe, as though it was an original Gaugain: "Oh, it's Keane!
Dec 23, 2014 · The Big Eyes true story reveals that Margaret Hawkins met Walter Keane at an outdoor art fair in San Francisco in the spring of 1955. The real Margaret and Walter have very different memories of their first meeting.
Dec 25, 2014 · Rated: 2.5/4 • Jul 13, 2022. In the late 1950s and early '60s, artist Walter Keane (Christoph Waltz) achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one ...
Summaries. A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
