- "The Homesman" doesn't play things safe, and that's a welcome change. Mary Bee Cuddy (Hilary Swank) is a middle-aged woman, born in upstate New York, who has bought land in the Nebraska territory. She is unmarried and farms the land herself. She yearns to buy a piano and comforts herself by playing hymns on a cloth keyboard.
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Nov 14, 2014 · Mary Bee Cuddy (Hilary Swank) is a middle-aged woman, born in upstate New York, who has bought land in the Nebraska territory. She is unmarried and farms the land herself. She yearns to buy a piano and comforts herself by playing hymns on a cloth keyboard. She is seen early on proposing marriage to a farmer who owns land adjacent to hers.
Jul 20, 2015 · Mary Bee Cuddy is resourceful and able to manage a farm on her own. But despite her independence she still longs to be married, in order to fit in with the societal pressures and to bring in more business for the farm. Mary Bee’s failures feel overwhelmingly detrimental to her, and this unravels in a devastating way at the end.
THE HOMESMAN is a quirky, slow-moving, ultimately depressing western. It opens in a cold, windswept prairie town in the Nebraska Territory before the Civil War. Mary Bee, an old maid with a farm and ranch, volunteers to take three pioneer women who’ve gone insane back to Iowa, whereupon they will be placed in asylums.
In "The Homesman," Mary Bee Cuddy(Hilary Swank) is a self-sufficient farmer in Nebraska territory.
- western, drama
- Premise of The Homesman
- Genre Blend of The Homesman
- Storyworld of The Homesman
- Story Structure of The Homesman
The premise of a story is a combination of character and plot. (It has to have a double track line in order to work.) The premise as written on IMDb doesn’t seem self-aware that the film is really about Tommy Lee Jones; it is written as if Mary Bee Cuddy is the main character: It would be more accurate to rewrite the premise with George Briggs as the main character: I’m thinking the writers didn’t use that particular premise to create the story — what we see on IMDb is often more of a synopsis than a premise. The premise not only needs the double track line of character and plot — it also needs to show some sense of an outcome. How do the characters change? Mary Bee Cuddy is a prime example of The Female Maturity Principlein storytelling. Mary Bee starts out strong and determined. She leaves us strong and determined. The other women in the story — the minister’s wife, the daughter who runs the inn, are Mary Bee Cuddy types. Women are divided cleanly in two: mentally ill and totally...
(Period) drama, Western When the camera lingers on a landscape or on a character’s face we know the film is asking the setting and the actors to pull the heavy weight of what would have been, in the novel, interior monologue with a bit of backstory. Sure enough, the novel offers a bit more insight into what the characters are thinking, though it’s written fairly cinematically as far as novels go. I can see how it was ripe for film adaptation. Although the word ‘Western’ is still used, the nature of Westerns has changed so much that any ‘Western’ story since the 1960s is technically an ‘anti-Western’. The anti-Western trend started before World War II, in fact. What’s the difference between a Western and an Anti-Western? Essentially, true Westerns were about world building — destroy and conquer, open up, tame the landscape, shoot the baddies. Anti-Westerns have a more cynical but realistic ideology. Anti-Westerns are about highly-flawed individuals trying to eke out an existence in t...
Following in the footsteps of classics such as East of Eden, the camera opens by lingering on a landscape upon which nothing is happening. This is to give the audience some sense of what it’s like to live here. Days are slow and long. Few things of consequence happen — though when they do, these things are life-changing for the characters. It’s exactly how my father-in-law describes his time in the Vietnam War — 90% boredom, 10% terror. Glendon Swarthout was born 1918, so as a kid — if he had elderly people in his life — he would’ve been in contact with people who remembered the 1850s. My favourite Western writer, Larry McMurtry, has the same advantage. Swarthout lived through the Great Depression of the 1930s, and this no doubt influenced his characterisation — he would’ve known women like Hilary Swank — pious and good, knowing how to make the best of tough situations. It’s interesting that Mary Bee doesn’t have to worry about money — it’s only everything else she has to worry abou...
In order to understand the story structure and fill out the ‘anagnorisis’ part, we have to treat this story as if George Briggs is the main character, not Mary Bee Cuddy. The UK poster is the most accurate in this regard:
Mary Bee Cuddy is the film’s central character. She’s an unmarried, land-owning, fairly well-off, 31 year-old religious woman who is described by multiple men as “plain as a tin can.”
Nov 21, 2014 · Mary Bee Cuddy is a New Yorker who has set up a homestead in pre-Civil War Nebraska. She’s as strong and smart and as capable as any man, her neighbors reluctantly admit. She can farm, and ride,...
Spinster Mary Bee Cuddy (Hilary Swank) volunteers to take the women to Iowa to be institutionalized. Life on the plains is lonely and Cuddy seems willing to marry any man who accepts her proposal. It's not clear why she running a farm on her own and why three local women would go so totally mad at the same time.