Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s.
Definitions of "contemporary folk music" are generally vague...
- Folk revival of the mid-20th century in the English-speaking countries
While the Romantic nationalism of the folk revival had its...
This type of folk music also includes fusion genres such as folk rock, folk metal, and others. While contemporary folk music is a genre generally distinct from traditional folk music, in U.S. English it shares the same name, and it often shares the same performers and venues as traditional folk music.
- Hybrid examples
- Popular genres
Traditional folk and indigenous music from around the world is typically separated by Westerners to "contemporary folk music" and "world music," the former synonymous with European and North American traditional music and the latter non-European and non-North American traditional music. Definitions of "contemporary folk music" are generally vague and variable themselves. According to musician Hugh Blumenfeld Musically, is mainly Western European in its origins; linguistically, it is predominantl
The term "world music" has been credited to ethnomusicologist Robert E. Brown, who coined it in the early 1960s at Wesleyan University in Connecticut, where he developed undergraduate through doctoral programs in the discipline. To enhance the learning process, he invited more than a dozen visiting performers from Africa and Asia and began a world music concert series. The term became current in the 1980s as a marketing/classificatory device in the media and the music industry. There are several
Examples of popular forms of folk music include the various forms of non-European classical music, Eastern European folk music, Nordic folk music, Latin music, Indonesian music, and the many forms of folk and tribal music of the Middle East, Africa, Asia, Oceania, Central and South America. The broad category of world music includes isolated forms of ethnic music from diverse geographical regions. These dissimilar strains of ethnic music are commonly categorized together by virtue of their indig
Since the music industry established this term, the fuller scope of what an average music consumer defines as "world" music in today's market has grown to include various blends of ethnic music tradition, style and interpretation, and derivative world music genres have been coined to represent these hybrids, such as ethnic fusion and worldbeat. Good examples of hybrid, world fusion are the Irish-West African meld of Afro Celt Sound System, the pan-cultural sound of AO Music and the jazz / Finnis
Millie Small released "My Boy Lollipop" in 1964. Small's version was a hit, reaching number 2 both in the UK Singles Chart and in the US Billboard Hot 100. In the 1960s, Miriam Makeba and Hugh Masekela had popular hits in the USA. In 1969 Indian musician Ravi Shankar played sitar at the Woodstock festival. In the 1970s, Manu Dibango's funky track "Soul Makossa" became a hit, and Osibisa released "Sunshine Day". Fela Kuti created Afrobeat and Femi Kuti, Seun Kuti and Tony Allen followed Fela Kuti
Although it primarily describes traditional music, the world music category also includes popular music from non-Western urban communities and non-European music forms that have been influenced by other so-called third-world musics. The inspiration of Zimbabwe's Thomas Mapfumo in
The most common name for this form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such a
- Indigenous cultures worldwide
From Wikipedia, the free encyclopedia Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music.
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as Great Britain, Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." Roots music is a broad
Folk music is music that is played or sung by ordinary people (not professional musicians). It is traditional music that people learn by listening to other people playing it and then copying them.
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In North American music, adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad -heavy music of the present day, with varying degrees of easy listening, pop, soul, rhythm and blues, quiet storm, and rock influence.
Percussion accompanies most music, dance, talks, and opera. Han Folk Music had many aspects to it regarding its meaning, feelings, and tonality. This genre of music, in a sense, is similar to the Chinese language. This relationship is made by tones, sliding from higher tones to lower tones, or lower to higher tones, or a combination of both.
Music is an art form, and a cultural activity, whose medium is sound. General definitions of music include common elements such as pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound).
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans," a suite of folk-style musical pieces designed for the Catholic liturgy.