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  1. Double bass - Wikipedia › wiki › Double_bass

    The double bass, also known simply as the bass (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass).

    • Octobass

      The octobass is an extremely large and rare bowed string...

    • Violin Family

      The double bass plays an indispensable part in both...

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  3. Double bass - Simple English Wikipedia, the free encyclopedia › wiki › Double_bass

    From Simple English Wikipedia, the free encyclopedia The double bass is a big stringed instrument that terms, perhaps more correct, include contrabass and upright bass. It is used in orchestras, jazz bands, rockabilly bands, bluegrass music, and some country music bands. It plays low- pitched musical notes in musical ensembles and bands.

    • Bass, upright bass, string bass, acoustic bass, acoustic string bass, contrabass, contrabass viol, bass viol, standup bass, bull fiddle, doghouse bass and bass fiddle
    • 321.322-71, (Composite chordophone sounded by a bow)
  4. Double Bass (album) - Wikipedia › wiki › Double_Bass_(album)

    From Wikipedia, the free encyclopedia Double Bass is a studio album by jazz bassists Niels-Henning Ørsted Pedersen and Sam Jones, which was recorded in 1976 and released on the Danish SteepleChase label.

    • Nils Winther
    • 1976
    • February 15 & 16, 1976
    • Jazz
  5. Double bass concerto - Wikipedia › wiki › Double_bass_concerto
    • Overview
    • History
    • Challenges
    • Haydn's Lost Double Bass Concerto

    A double bass concerto is a notated musical composition, usually in three parts or movements, for a solo double bass accompanied by an orchestra. Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques. Music students typically play bass concerti with the orchestral part played by a pianist who reads from an orchestral reduction.

    The Origin of the Double Bass Concerto Concerti originated in the Baroque era. At first, double bass concertos were very rare due to the gut strings. These strings were difficult to move with the bow and did not resonate or project as loud. It was around 1650 that the overwound gut string was invented. This greatly increased the popularity for composers to write double bass solos. The main eras of double bass concerts are the Classical and Romantic period. These are considered the main concerto

    The double bass has not been a popular choice for a solo instrument, mainly due to the difficulties of balancing the soloist and orchestra so that the former is not overshadowed by the orchestra's volume. The low register of the double bass makes it difficult to project; to help resolve this problem, many composers wrote solo parts in the high register of the instrument. Another solution is to refrain from large tuttis, or employ chamberistic orchestration, when the double bass is playing in its

    The only surviving parts of Haydn’s missing double bass concerto are the first two measures. It is assumed that this concerto dates back around 1763, around 2 years after Haydn was hired as a full-time composer for the Prince’s Orchestra. Haydn wrote it specifically for the second bassoonist that also played double bass in the orchestra, Johann Georg Schwenda. Typical to the time, this concerto was written in D major, for Viennese-tuned double basses. Sam Suggs, a double bassist and ...

  6. Electric upright bass - Wikipedia › wiki › Electric_double_bass
    • Overview
    • Types
    • Electronics
    • Playing
    • Usage
    • History

    The electric upright bass is an instrument that can perform the musical function of a double bass. It requires only a minimal or 'skeleton' body to produce sound because it uses a pickup and electronic amplifier and loudspeaker. Therefore, a large resonating structure is not required to project the sound into the air. This minimal body greatly reduces the bulk and weight of the instrument. EUBs must always be connected to an amplifier and speaker cabinet to produce an adequate audible sound. The

    There are two types: solid-body EUBs and hollowbody EUBs. Solid-body EUBs have no hollow enclosure for the body and, as such, they produce almost no sound without electronic amplification. Solid-body EUBs are connected to an amplifier for practice and live performances. Hollowbody EUBs have a wooden enclosure, which, whilst having a much smaller hollow body cavity than that of a double bass, is still large enough to give the instrument some sound output without amplification, at least for indivi

    Some EUBs have built-in pickups and volume controls, similar in function to the pickups and knobs on an electric bass. Some EUBs are sold without an onboard pickup or knobs; a player using this instrument would need to purchase a piezoelectric pickup separately and then attach the pickup to the body or bridge.

    EUBs sometimes have a long endpin to support the instrument at the appropriate height although some EUBs can be mounted on a stand for playing. As with the double bass, an EUB can be played standing up or sitting on a stool.

    EUBs are used in a wide range of styles of music, from jazz fusion and jazz to Cuban music and rock music. While four string EUBs are most common, using the same E,A,D,G tuning as the double bass and bass guitar, 5-, 6, 7- and 8-string models are also available. Like the double bass, most EUBs can be plucked or bowed. For a EUB to be bowed, it must have a curved bridge, so that the bow can be used on all of the individual strings.

    The first production electric upright basses were developed independently in the mid-1930s by Regal, Vega and Rickenbacker. However, in the 1930s and 1940s, neither the transducers and or amplification equipment which were then available could accurately reproduce the deep tones of the bass. This may have contributed to the lack of public interest in either the electric upright basses or Paul Tutmarc's bass guitar-style instruments that emerged in the 1930s. In comparison with other electronical

    • Stick bass
    • 321.322-71, (Composite chordophone sounded by a bow)
  7. Karr-Koussevitzky double bass - Wikipedia › wiki › Karr-Koussevitzky_double_bass

    The Karr-Kousevitzky bass or Amati bass is a famous double bass previously belonging to Serge Koussevitzky and Gary Karr.Now generally referred to as the Karr-Koussevitzky rather than the Amati; until recently, the bass had been attributed to the Amati brothers, but now it is generally believed to have its origins in France.

  8. Wikipedia

    Save your favorite articles to read offline, sync your reading lists across devices and customize your reading experience with the official Wikipedia app. Google Play Store Apple App Store Commons Freely usable photos & more Wikivoyage Free travel guide Wiktionary Free dictionary Wikibooks Free textbooks Wikinews Free news source Wikidata Free knowledge base Wikiversity Free course materials ...

  9. Jazz bass - Wikipedia › wiki › Jazz_bass

    Jazz bass is the use of the double bass or bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs.

  10. Violone - Wikipedia › wiki › Violone
    • Overview
    • Usage
    • Types
    • History
    • Terminology

    The term violone can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning or on geography, or by using other terms that have a more precise connotation. The term violone

    In modern usage, the term most often refers to the double bass viol, a bowed bass string instrument sounding its part an octave lower than notated pitch in early music groups performing Renaissance, Baroque and Classical era music on period instruments. However, the term can rightly be applied to members of the violin family, and also to ‘cello sized’ instruments, of both the violin and viol families, where those instruments play their parts AT notated pitch. Only a few players ...

    There are several different instruments that have historically been called by the name "violone". Some of these can be loosely described as 'cello-sized' instruments, and play their parts sounding at the notated pitch. Other types of violone are larger-bodied than the cello – most of those sound their parts an octave below notated pitch, but certain types are flexible about which octave they play in, and sometimes switch back and forth. Ultimately, however, it is not the family or size of ...

    Both the violin and viol families came into use in the Western world at approximately the same time and co-existed for many centuries. That being said, during the Renaissance and early Baroque eras, the two families had different uses, and in particular, different social standings. Viols were primarily household instruments, played by well-to-do, educated members of society, as a pleasant and cultured way of passing time. In contrast, violin family instruments were primarily used for social func

    When use of the word "violone" began in the early sixteenth century, "viola" simply meant a bowed, stringed instrument, and did not specify viol or violin. Historically "violone" has referred to any number of large fiddles, regardless of family. The term violone is sometimes used to refer to the modern double bass, but most often nowadays implies a period instrument. As a period instrument, it can refer to any of the different types that are described, above. "Violone" is also the name given to

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