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  1. French New Wave - Wikipedia › wiki › French_New_Wave

    The New Wave ( French: La Nouvelle Vague) is a French art film movement which emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as ...

    • Left Bank

      The corresponding "right bank" group is constituted of the...

  2. Talk:French New Wave - Wikipedia › wiki › Talk:French_New_Wave
    • Inconsistency and Misjudgement
    • Page Name Move
    • List of Filmmakers/Artists
    • B-Film Directors
    • Origins
    • Overuse of "Citation Needed" and "Peacock Term"
    • External Links Modified
    • Archetypal Works of The Movement
    • 1958-1962
    • Actors and Actresses

    There's an inconsistency and surely a misjudgement in the treatment of Louis Malle. There is a paragraph which says he was not a New wave director, which seems to be tendentious. Then he is listed as a Minor Director of the list of New wave filmekers. He shouldn't be listed if he is not a member of the group. And I doon't see how anyone can claim he is a minor director. 1. Agreed. This is complete conjecture on the part of the original writer and not a commonly held one. As there are no cited sources to his/her opinion (and that includes the opinion on Franju), I am taking it out. I did find a source supporting that these directors WERE considered a part of the new wave and included it. If people disagree, this might be better under a "Divided Opinions" section as sources can probably be found to support both pro- and anti- stances. Although in my experience there are far more sources on the "pro" side. I'll try to dig out some of my books to further back up the cited reference. Ech...

    I've moved this page from "French new wave" to "French New Wave," as a proper name almost invariably capitalized in sources (e.g. the top four google hits for "French New Wave": 1, 2, 3, 4). I'll also be fixing it in corresponding articles. --Dvyost04:16, 20 July 2005 (UTC)

    This article could obviously benefit from a list of major (and minor) directors of the nouvelle vague, including but hardly limited to: Godard, Truffaut, Rivette, Chabrol, Rohmer, Malle, Resnais, Varda, Demy, Marker, Aubier, etc., etc. I also see benefit from another list of frequent collaborators and influences, especially actors, like Anna Karina, Jean-Paul Belmondo, Eddie Constantine, Jean-Pierre Leaud, etc. And where is mention of Andre Bazin in this article?Jean pierre jeunet came off the back of the 80's new wave crowd didn't he? (talk) 12:48, 17 December 2007 (UTC) I'd do it myself but I can't remember enough film history to get it right.--Andymussell03:17, 27 November 2005 (UTC) 1. Marker, Resnais, and Varda were part of the Left Bank group, which consisted generally of older filmmakers and was not considered part of the nouvelle vague at the time. A list of actors would by a good idea, though, as many of them were as symbolic as any director. Deleuze05:21, 5...

    The article states that Charles Chaplin, Alfred Hitchcock, and Orson Welles were B directors that the Cahiers admired, but I highly doubt that Hitchcock and Chaplin would be considered B directors. Maybe Orson Welles during the latter part of his career could be considered one, but Hitchcock and Chaplin were considerably popular with a mainstream audience and Hitchcock would often use such stars as Cary Grant, Ingrid Bergman, and Jimmy Stewart, so I would hardly consider him a B director. And Charlie Chaplin is one of the most recognizable, if not the most recognizable, stars of all time, and was highly popular in his day...and still is, for that matter. So I would hardly consider him and Hitch B filmmakers. I think a revision's required here., 21 October 2006 (UTC)

    Shouldn't the Origins section include some reference to where the term Nouvelle Vague actully came from? On the French page of this article it says it originated in L'Express in an article by Françoise Giroud on 3 October 1957. But can wikipedia in other languages be used as a source? Em Mitchell08:00, 8 September 2007 (UTC) I think, after watching Stanley Kubrick's film "Killer's Kiss", which recieved international distribution, we need to consider it as the origin of the New Wave. Kubrick's external nighttime shots, his use of hand-held cameras, after-dubbing of sound, surrealist shadows and camera angles, street scenes, disregard for cinemtic conventions and low-budget feel, all predate the New Wave and, I'm sure, were a major influence on it. You can also see its influence on Fellini's films. Killer's Kiss is a hidden masterpiece. [[[Special:Contributions/|]] (talk) 18:36, 15 December 2007 (UTC)Tim Lewis] 1. That's intriguing, but it's considered original...

    This article does not benefit from the heavy-handed overuse of the citation needed and peacock term tags. They break up the text of the article so badly that it's practically unreadable, without actually doing anything useful. For example, the "Film techniques" section already uses the unreferenced section template; the eight uses of "citation needed" in that section are superfluous. Some of the specific individual uses of those tags are also inappropriate. For example, the use of "citation needed" in the second paragraph is completely unnecessary, since the footnote at the end of that paragraph clearly says that Breathlessused jump cuts because it was felt that the film was over-long. And could someone please explain to me how the word "tight" in the sentence "Many of the French New Wave films were produced on tight budgets" is a peacock term? Obviously, some work needs to be done to cite or re-phrase some of the more grandiose claims in the article. But it's equally obvious that "...

    Hello fellow Wikipedians, I have just added archive links to one external link on French New Wave. Please take a moment to review my edit. If necessary, add {{cbignore}} after the link to keep me from modifying it. Alternatively, you can add {{nobots|deny=InternetArchiveBot}}to keep me off the page altogether. I made the following changes: 1. Added archive to When you have finished reviewing my changes, please set the checked parameter below to trueto let others know. As of February 2018, "External links modified" talk page sections are no longer generated or monitored by InternetArchiveBot. No special action is required regarding these talk page notices, other than regular verification using the archive tool instructions below. Editors have permission to delete these "External links modified" talk page sections if they want to de-clutter...

    I came here as a reader hoping for at least a short list of 'the archetypal Nouvel Vague films'. I see Directors, performers and contributors, but little on the films themselvces. Is this an omission? I wish I could contribute one, but I don't know jack about the subject. Which is why, etc... Blether (talk) —Preceding undatedcomment added 05:13, 6 July 2018 (UTC)

    The New Wave peak period is from 1958 to 1962 (not 1964.) That's how it was defined in two major works on French cinema (Roy Armes, French Cinema, Oxford University Press, 1985; Jean-Pierre Jeancolas, Le Cinéma des Français, la Vème République. 1958-1978, Paris, Stock, 1979.) Also in Jean-Loup Passek, Dictionnaire du cinéma. Paris: Larousse, 1986. Philburmc (talk) 01:35, 24 September 2019 (UTC)

    Alain Delon was not associated with the New Wave in any way. Catherine Deneuve also doesn't belong to this list. Philburmc (talk) 01:41, 24 September 2019 (UTC)

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  4. New Wave - Wikipedia › wiki › New_Wave

    New Wave (movement), various artistic movements in film and music. French New Wave, a French art film movement which emerged in the late 1950s. Japanese New Wave, a group of loosely-connected Japanese filmmakers during the late 1950s and into the 1970s. New Wave science fiction, a movement in science fiction. New Wave (design), a typographical ...

  5. Template:French New Wave - Wikipedia › wiki › Template:French_New_Wave

    Two in the Wave (2010 documentary) Initial visibility: currently defaults to autocollapse. To set this template's initial visibility, the |state= parameter may be used: |state=collapsed: { {French New Wave|state=collapsed}} to show the template collapsed, i.e., hidden apart from its title bar.

  6. New wave music - Wikipedia › wiki › New_wave_music

    New wave is a broad music genre that encompasses numerous pop and rock styles from the late 1970s and the 1980s. It was originally used as a catch-all for the music that emerged after punk rock, including punk itself, but may be viewed retrospectively as a more accessible counterpart of post-punk.

  7. Bande à part (film) - Wikipedia › wiki › Bande_à_part_(film)

    Bande à part (French pronunciation: [bɑ̃d a paʁ]) is a 1964 French New Wave film directed by Jean-Luc Godard.It was released as Band of Outsiders in North America; its French title derives from the phrase faire bande à part, which means "to do something apart from the group".

  8. New French Extremity - Wikipedia › wiki › New_French_Extremity

    New wave of French horror. Some films considered as part of the New French Extremity movement rework elements of the horror genre. Contemporary French horror films with a similar sensibility include Trouble Every Day, Sheitan, Them, High Tension, Frontier(s) and Inside. The Belgian film Calvaire has also been associated with this trend.

  9. Italian neorealism - Wikipedia › wiki › Italian_neorealism

    French New Wave, Cinema Novo, Iranian New Wave Italian neorealism ( Italian : Neorealismo ), also known as the Golden Age , is a national film movement characterized by stories set amongst the poor and the working class, filmed on location , and frequently using non-professional actors.

  10. What is French New Wave? Definition, History and Techniques ... › blog › what-is-french-new-wave

    Aug 01, 2015 · The French New Wave was a film movement from the 1950s and 60s and one of the most influential in cinema history. Also known as “Nouvelle Vague," it gave birth to a new kind of cinema that was highly self-aware and revolutionary to mainstream filmmaking. A group of French critics, who wrote for the journal, Cahiers du Cinema, believed films ...

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