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- The Payback turned out to be one of James Brown's last inarguably great albums before he hit a long fallow streak in the mid- to late '70s, but no one listening to this set would ever imagine that this was the work of an artist (or a band) about to run out of gas.
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Aug 12, 2023 · “The Payback” remains a powerful example of Brown’s musical genius and his commitment to social justice, a reminder of the struggles and triumphs of the Black community in America. In conclusion, “The Payback” is more than just a funk classic; it is a testament to the power of music to inspire change and ignite social movements.
- Revenge Is His Right
- A Keystone of Funk Music
- “The Same Old James Brown Stuff” – Perfected
- Soul-Soaked Menace
- The Payback’s Legacy
From the slow-rollin’, steady-mobbin’ opening bars, clearly on a mission, you know “The Payback” is going to be all killer, no filler. That groove, dark, deep and unfussy, thumping in your ears like a stressed heartbeat, ONE-two-three-four; the stratospheric vocal from Martha High like a siren warning of trouble; Fred Wesley’s horn section blowing ...
First released in December 1973 on the album of the same name, “The Payback” is one of the keystones of funk. The music was well established by now, having practically been driven into public consciousness by Brown from 1967, though he was building the sound from 1962 onwards. There was probably an element of Brown being regarded as old school by 1...
Brown’s two soundtracks thus far, Black Caesar (1972) and Slaughter’s Big Rip Off (1973), had been decent, surprisingly subtle efforts, and their corresponding albums are now much sought by funk fiends. But given a third opportunity, Brown was going to make sure he delivered a monster, and he surely had first dibs on the sequel to Black Caesar, Hel...
But JB never took a damn thing lying down. He finished his tracks and assembled a double-album, The Payback, now regarded as one of the classics of 70s African-American music. And the lyrics of the single, cropped from a groaning, growling seven-minutes-plus on the album, speak of vengeance, violence, and being pushed beyond his tolerance. Brown se...
“The Payback” had an influential afterlife. Brown “versioned” it for “Same Beat,” credited to Fred Wesley And The JB’s, laying a different melody over John “Jabo” Starks’ drum pattern from “The Payback” and releasing it as a single a month ahead of that track. Hank Spann again provides interjections – and there were samples from Dr. Martin Luther K...
- Ian Mccann
Dec 1, 2023 · The Payback is best known for its title track, also considered one of James Brown’s finest recordings. It’s the song that is most directly related to Hell Up In Harlem , as Brown proclaims his intentions to seek revenge against those who wronged him.
The Payback is considered a high point in Brown's recording career, and is now regarded by critics as a landmark funk album. Its revenge -themed title track, a #1 R&B hit, is one of his most famous songs and an especially prolific source of samples for record producers.
- James Brown
- December 1973
- February–October 1973
- Funk
Album Details: Album title: The Singles, Volume 9: 1973-1975 (2010) Credits: Produced By: James Brown. Written By: James Brown, Fred Wesley & John “Jabo” Starks. Arranger: James Brown & Fred Wesley. Backing Band: Fred Wesley & The J.B.’s.
Sep 17, 2023 · James Brown’s song, “The Payback Mix,” released in 1988, is a powerful and soulful anthem that delves into themes of justice, retribution, and social inequality. As one of the pioneers of funk music, Brown masterfully combines his signature grooves, powerful vocals, and poignant lyrics to create a song that resonates with audiences to this day.
"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against a man who betrayed