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  1. en.wikipedia.org › wiki › Joseph_JanniJoseph Janni - Wikipedia

    Joseph Janni (21 May 1916 – 29 May 1994) was a Jewish Italian-British film producer best known for his work with John Schlesinger. He was born in Milan, Italy and became interested in filmmaking while at university. He emigrated to England in 1939, and once Italy declared war, he was briefly interned in Metropole Camp on the Isle of Man.

  2. www.wikiwand.com › en › Joseph_JanniJoseph Janni - Wikiwand

    May 29, 1994 · Italian-born British film producer / From Wikipedia, the free encyclopedia. Joseph Janni (21 May 1916 – 29 May 1994) was a Jewish Italian-British film producer best known for his work with John Schlesinger. He was born in Milan, Italy and became interested in filmmaking while at university.

  3. May 21, 1916 · Milan, Lombardy, Italy. Died. May 29, 1994 · London, England, UK. Mini Bio. Giuseppe Ralph Janni, was born in Milan. His paternal grandfather was from Trieste (originally under Austrian rule but later reverted back to Italy) and was Chairman of Lloyd Triestino, specialising in shipping to India, and his grandmother was English.

    • May 21, 1916
    • May 29, 1994
  4. Joseph Janni, film producer: born Milan 21 May 1916; married 1949 Stella Griffiths (one son); died London 29 May 1994. JOSEPH JANNI's great contribution to British cinema was his...

  5. Joseph Janni (21 May 1916, Milan – 29 May 1994, London) was a British film producer best known for his work with John Schlesinger. He was born into a Jewish family in Milan, Italy and became interested in filmmaking while at university.

  6. Sep 24, 2014 · But the dynamic trio of director John Schlesinger, producer Joseph Janni and screenwriter Frederic Raphael were serious in their intent to bring the complex tale of love and loss in 1860s Dorset to the big screen. Mini skirts, fast cars and discotheques were replaced with buttoned up corsetry, horse-drawn wagons and harvest barn dances.

  7. Producer Joseph Janni said the goal was to capture “a weary, self-doubting England” that’s certainly no longer “swinging.” The film’s wry, arch, tart, slightly mannered dialogue also feels quintessentially British to me.

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