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Mario Nascimbene (28 November 1913 – 6 January 2002) was one of the best known Italian film soundtrack composers of the 20th century. His career spanned six decades, during which time he earned several awards for the innovative contents of his composing style.
Mario Nascimbene (28 November 1913 – 6 January 2002) was one of the best known Italian film soundtrack composers of the 20th century. His career spanned six decades, during which time he earned several awards for the innovative contents of his composing style.
Nov 28, 2017 · The composer Mario Nascimbene, most famous for composing the music for more than 150 films, was born on this day in 1913 in Milan. Nascimbene’s legacy in the history of Italian cinema is inevitably overshadowed by the work of Ennio Morricone and the late Nino Rota, two composers universally acknowledged as giants of Italian film music.
Nascimbene is unanimously considered by critics to be one of the best authors of soundtracks in Italian cinema of the 20th century, thanks above all to the originality of the innovations he introduced in the writing of the score, including the use of non-orchestral instruments, such as the wind chime. and the mouth organ, and of sound sources ...
Mario Nascimbene was born on November 28, 1913 in Milan, Lombardy, Italy. He was a composer and actor, known for The French Dispatch (2021), Matchstick Men (2003) and Violent Summer (1959). He was married to Mara Caterina Ripari and Tamara Adrian. He died on January 6, 2002 in Rome, Lazio, Italy.
- November 28, 1913
- January 6, 2002
Mario Nascimbene (28 de noviembre de 1913 - 6 de enero de 2002) fue uno de los compositores de bandas sonoras de películas italianas más conocidos del siglo XX. [1] Su carrera abarcó seis décadas, tiempo durante el cual obtuvo varios premios por los contenidos innovadores de su estilo compositivo.
My relationship with Mario Nascimbene is now lost in the mists of time, it seems we were both on board Noah's Ark and we certainly witnessed the coronation of Charlemagne side by side. ...young students in America still study Mario Nascimbene, also for his modernity (...) soundtrack scholars instead remember and cite as examples the most ...
