Progressive pop is pop music that attempts to break with the genre's standard formula, or an offshoot of the progressive rock genre that was commonly heard on AM radio in the 1970s and 1980s. It was originally termed for the early progressive rock of the 1960s .
Progressive rock was predicated on the "progressive" pop groups from the 1960s who combined rock and roll with various other music styles such as Indian ragas, oriental melodies and Gregorian chants, like the Beatles and the Yardbirds.
- Pop and rock
Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in the context of distinct genres such as progressive country, progressive folk, progressive jazz, and progressive rock. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music,
Progressive jazz is a form of big band that is more complex or experimental. It originated in the 1940s with arrangers who drew from modernist composers such as Igor Stravinsky and Paul Hindemith. Its "progressive" features were replete with dissonance, atonality, and brash effects. Progressive jazz was most popularized by the bandleader Stan Kenton during the 1940s. Critics were initially wary of the idiom. Dizzy Gillespie wrote in his autobiography; "They tried to make Stan Kenton a 'white hop
"Progressive rock" is almost synonymous with "art rock"; the latter is more likely to have experimental or avant-garde influences. Although a unidirectional English "progressive" style emerged in the late 1960s, by 1967, progressive rock had come to constitute a diversity of loos
—Allan Moore During the mid 1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression ...
"Post-progressive" is a term invented to distinguish a type of rock music from the persistent "progressive rock" style associated with the 1970s. In the mid to late 1970s, progressive music was denigrated for its assumed pretentiousness, specifically the likes of Yes, Genesis, an
"Progressive electronic" is defined by AllMusic as a subgenre of new age music, and a style that "thrives in more unfamiliar territory" where the results are "often dictated by the technology itself." According to Allmusic, "rather than sampling or synthesizing acoustic sounds to electronically replicate them" producers of this music "tend to mutate the original timbres, sometimes to an unrecognizable state." Allmusic also states that, "true artists in the genre also create their own sounds." In
Progressive pop is a form of pop music which attempts to break with the genre's standard formula. Originally termed for early progressive rock music, some stylistic features of progressive pop include changes in key and rhythm, experiments with larger forms, and unexpected, disruptive, or ironic treatments of past conventions.
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Pages in category "Progressive pop musicians" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes ().
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Proto-prog (short for proto-progressive) is the earliest work associated with the first wave of progressive rock music, known then as "progressive pop". Such musicians were influenced by modern classical and other genres usually outside of traditional rock influences.
Pop is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles.
Electropop is a music genre combining elements of electronic and pop genres. Usually, it is described as a variant of synth-pop with heavy emphasis on its electronic sound. The genre saw a revival of popularity and major influence in the 2000s.
The band moved from folk music to progressive rock in the 1970s, before moving towards pop at the end of the decade. Formed by five Charterhouse pupils including Banks, Rutherford, Gabriel, and Phillips, Genesis were named by former pupil Jonathan King , who arranged for them to record several unsuccessful singles and their debut album From ...