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      • A television director is in charge of the activities involved in making a television program or section of a program. They are generally responsible for decisions about the editorial content and creative style of a program, and ensuring the producer's vision is delivered. Their duties may include originating program ideas, finding contributors, writing scripts, planning 'shoots', ensuring safety, leading the crew on location, directing contributors and presenters, and working with an editor to a
      en.m.wikipedia.org/wiki/Television_director
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    What does a TV director do on TV?

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    What does an associate director do on TV?

  2. A television director is in charge of the activities involved in making a television program or section of a program. They are generally responsible for decisions about the editorial content and creative style of a program, and ensuring the producer's vision is delivered. Their duties may include originating program ideas, finding contributors, writing scripts, planning 'shoots', ensuring safety, leading the crew on location, directing contributors and presenters, and working with an editor to a

  3. Hwang Dong-hyuk. Ciaran Donnelly. Clive Donner. Richard Donner. Mark Donskoi. Robert Dornhelm. Doris Dörrie. Nelson Pereira dos Santos.

  4. A television director has a complex job that includes approving scripts, setting up camera shots, laying out scenes and deciding on lighting. [2] The director is responsible for directing of live broadcasts, filming programs, post-production editing and mixing. [3] A director also supervises the technical crew.

  5. Greg Beeman Matt Earl Beesley Joseph Behar John Behring Hans Beimler (screenwriter) Anthony Bell (director) Drake Bell Lake Bell Earl Bellamy Mary Lou Belli Donald P. Bellisario Jerry Belson Jack Bender Richard Benedict David Benioff Burton Benjamin Richard Benner Matthew Bennett (TV producer) Rick Bennewitz Patricia Benoit (director)

    • Overview
    • Production
    • Post-production

    Television crew positions are derived from those of film crew, but with several differences.

    In television and live event production, the A1 is the primary audio engineer responsible for the technical design and operation of associated sound systems. Generally speaking, the A1 supervises all audio crew members during build, rehearsal, and show phases of any production. U

    The A2 helps get microphones or other audio devices to the right place or to the right person An audio assistant positions and interconnects audio devices, such as microphones and intercoms, from the television production truck to the venue. Typically, larger productions use two

    The publicist ensures the media are well aware of a project by distributing the show as a trial run or sneak preview. They issue press releases and arrange interviews with cast and crew members. They may arrange public visits to the set, or distribute media kits that contain pict

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