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Reaper DAW Tutorial and Getting Started Quick Guide for Beginners
- Setting Recording bit depth and Sample rate in Reaper. The first thing is to configure your audio device to work with Reaper. ...
- Inserting new Tracks, Media Items and Configuring for Multi-channel Recording. Go to Track – Insert New Track. ...
- Duplicating items/media files within the track. ...
- Managing the Audio Mixing Process in REAPER. ...
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Reaper DAW is a widely-used, well-supported and easy-to-learn DAW (Digital Audio Workstation) created by Cockos Incorporated. By the end of it, you should know enough to get started making your own music recordings at home. What Is A DAW? A DAW is software that allows you to record, edit, and mix multiple tracks of audio on your computer.
- Setting Up The Drivers
- Preparing Your First Track
The audio interface you decide to use will have instructions for installing its software and drivers. Once installed, go to Options → Preferences to choose your audio device settings. For this tutorial, I’m using a Focusrite Scarlett 2i2 interface. So I’ll choose ASIO. The standard sample rate is 44.1 kHz, but you can change it to 48 kHz. The former is perfectly fine to use, while the latter is better if your music will be synced with video. You can learn more about sample rates and bit depths here.
Now you’re ready to create your first track. To do this, go to Track from the main menu (top-left corner). Then insert the type of track you want. You can also hit Ctrl+T on a Windows computer or Command+T on a Mac. “Insert new track” will add an audio track that you can record guitar or vocals on. “Insert virtual instrument on new track” will add a MIDI-enabled track. Next, you’ll want to make sure the input settings are correct. On the track, you’ll see a dropdown box that says “Input 1.” (If you don’t see it, expand the track by dragging the bottom edge downward). From here, you can choose your input. You’ll see these options: 1. Mono: records one channel at a time 2. Stereo: records two channels at a time 3. MIDI: records your MIDI instrument (like a keyboard) 4. None: records nothing
You’re almost ready to record. First, you’ll want to set the BPM and time signature, which you can do at the top of the mixer. Hover over the letters “BPM” and it will say “Tap.” This lets you tap the BPM by clicking twice at your preferred speed. You can also click on the “120” in the BPM box to type in the tempo. Next to that, you’ll see the time signature of 4/4. Just click on that to change it. Now you can enable your track for recording. Go to your track and hit the dark red circle on the left side. It will turn bright red, indicating it’s armed for recording. You’ll need to hear what you’re recording as you record it. So click the little megaphone icon on the right side of the track settings. This enables record monitoring. You’ll also see an M and an S underneath the bright red circle. These are the mute and solo buttons. Sometimes, you may need to loop a section. This could be useful for doing multiple takes without having to push any buttons. Or you can use it during the mi...
Now that you’ve recorded your first take on your first track, let’s talk about editing. To cut or split an item, simply click on the item at the place where you want to make the split. By default, the cursor will snap to the grid. To turn this off, click the Snap button underneath the main menu in the top-left corner. You can also hit Alt+S to turn snap on and off. Then to make the split, just hit S (you can also right-click and choose “Split items at cursor”). If you’d rather, you can drag the edge of an item forward or backward, which removes that part of the item. But you don’t actually lose what you’ve removed with this method. It’s still there. You can drag the edge once more to get that part of the item back. You can also stretch an item, which speeds up or slows down the audio. Hover over the edge of an item, press and hold Alt, and click and drag the edge. (You’ll notice this drastically diminishes the sound quality of the audio.) Nudging is another useful feature Reaper off...
Reaper is solid DAW, that is feature rich and definitely competes with the big professional daws. Even for 60 bucks you can’t complain. And I see why people are so enthusiastic about Reaper. I suggest everyone to buy the paid version, after all: it only 60 dollars.
I was first introduced to Reaper (Reaper, a DAW by Cockos, is an acronym for Rapid Environment for Audio Production, Engineering, and Recording) while playing in multiple recording sessions in Berlin during the summer of 2009—in the home studio of Roy Carroll, then at Ausland, Loophole, Salon Bruit, and other venues/locations around the city.
Jul 24, 2013 · If you don’t Reaper is worth $15-$20 a year then you are (as you say) ‘crazy’ – but feel free to look for a different DAW that is a better value (good luck with that). If you are earning more than $20K a year from your music/production so have a $225 commercial license and don’t think Reaper – the DAW that helped you earn that $20K+ a year – is worth $50-$60 a year, again, you are crazy.
Written by Mori B in Reaper. Reaper is an excellent DAW for recording instruments and creating full-blown professionally-made tracks. Music producers of different skill levels prefer Reaper over other DAWs because of its user-friendliness and intuitive user interface. Although it is quite underrated, it is truly a phenomenal DAW that deserves more attention than what it is getting.
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Jul 05, 2012 · This is the best DAW (digital audio workstation) out there. It’s no joke. It is insanely freakin’ powerful/configurable, relatively easy to use, and it is the SMALLEST program, and loads in seconds.