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  1. Piano key frequencies. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4 ), tuned to 440 Hz (referred to as A440 ).

  2. Piano key frequencies explained. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).

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  4. Piano key frequencies 2 75 b′′′ B6 1975.53 74 a♯′′′/b♭′′′ A♯6/B♭6 1864.66 73 a′′′ A6 1760.00 72 g♯′′′/a♭′′′ G♯6/A♭6 1661.22 71 g′′′ G6 1567.98 70 f♯′′′/g♭′′′ F♯6/G♭6 1479.98 69 f′′′ F6 1396.91 68 e′′′ E6 1318.51 67 d♯′′′/e♭′′′ D♯6/E♭6 ...

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  5. The human hearing range is between 20 Hz and 20,000 Hz. The lowest frequency on a piano is 27.5 Hz, which is almost at the start of the human hearing range. However, the highest frequency on a piano is only 4186.01 Hz. Why is this the highest frequency on a piano? In theory there could be a couple more octaves at higher frequencies. Why aren't ...

  6. Below you can find a list of frequencies of all the keys on a piano. Click on a row to hear the note played. Here are some key highlights from the frequency list below: Middle C has a frequency of 261.626 Hz. The highest note on a standard piano has a frequency of 4186.009 Hz. It is a C.

  7. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).

  8. May 6, 2014 · The vertical axis is the number of cents that the key is tuned away from equal temperament, e.g. the C two octaves above A440 (C7) is about 10 cents sharp, i.e. the frequency is a factor of 2 10/1200 sharp, or the actual freuquency is. f = 440 * 4 * 2 3/12 * 2 10/1200 = 2105.13 Hz.

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