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  2. Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig .

    • 1795–1800
    • 2 April 1800: Vienna
    • Four
    • 1801
    • Haydn—Beethoven’s mentor—thought the younger composer had a bit of an attitude, notoriously referring to his student as “the grand mogul” or “big shot.”
    • The Haydn–Mozart–Beethoven connection climaxes in the Symphony No. 2. While the early masters codified the four-movement Classical symphony, Beethoven expanded their visions in this work.
    • “Eroica” Beethoven admired Napoleon and dedicated his Symphony No. 3 to the French general. However, he furiously withdrew his dedication when Napoleon declared himself emperor, violently scratching Napoleon’s name from the dedication page with such vigor that he tore through the paper.
    • Explore the nine symphonies and you’ll hear that the odd-numbered works are tempestuous while the even-numbered ones are more sedate. Consider Symphony No. 4.
  3. Apr 30, 2021 · The Fourth Symphony was first heard in March 1807 during a private concert of Beethoven’s music at the Vienna palace of Prince Joseph Lobkowitz, a wealthy patron to whom Beethoven dedicated many works.

  4. Jun 5, 2006 · Premiered April 2, 1800, in Vienna. Published 1801 in Leipzig. Hear an Interview with Conductor Christoph Eschenbach. Audio will be available later today. Beethoven's First Symphony,...

  5. The work premiered in Vienna on April 7, 1805, and was grander and more dramatic than customary for symphonies at the time. It was Beethoven’s largest solely instrumental work. It has been called the Bonaparte Symphony, called that by no less an authority than Beethoven himself.

  6. His Symphony No. 1 in D Major (1813) and Symphony No. 2 in B-flat Major (1815) illustrate Schubert’s departure from Classical models. Although the first movements are in sonata form , their pace is slower than the ordinary Classical allegro and is supported by long nonthematic passages that expand the harmonic arch.

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