The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism. Many artists have aligned themselves with the avant-garde movement, and still continue to do so, tracing their history from Dada through the Situationists and to postmodern artists such as the Language poets around 1981.
- Avant-Garde (Disambiguation)
Avant-garde refers to a style in experimental work in art,...
The term was originally used by the French military to refer...
Several writers have attempted to map the parameters of...
- Avant-Garde (Disambiguation)
The Avant-Garde was an American psychedelic pop group formed by Chuck Woolery and Elkin "Bubba" Fowler in 1967. They released three singles on Columbia Records in 1967 and 1968, backed by different session musicians on each release: "Yellow Beads", "Naturally Stoned" (which hit No. 40 on the Billboard Hot 100 chart in mid-1968), and "Fly with Me!"
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Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition.
Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, but others disagree. For example, Ryan Minor writes that this period began with the work of Richard Wagner, whereas Edward Lowinsky cites Josquin des Prez. The ter
Popular music, by definition, is designed for mass appeal. The 1960s saw a wave of avant-garde experimentation in jazz, represented by artists such as Ornette Coleman, Sun Ra, Albert Ayler, Archie Shepp, John Coltrane and Miles Davis. In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". Post-punk artists from the late 1970s rejected traditional rock sensibilities in favor of an avant-garde aesthetic. In 1
Avant-garde (pronounced /ɑvɑ̃ gɑʁd/) in French means "front guard", "advance guard", or "vanguard". The term is commonly used in French, English, and German for people or works that are experimental or innovative, particularly in the areas of art, culture, and politics.
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960.
Avant-garde metal (also known as avant-metal and experimental metal) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques.
The avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism.
Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971. The magazine was based in New York City. The editor was Ralph Ginzburg.
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the 1950s and developed through the 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style.
Experimental film, experimental cinema, or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working.