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The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon. Baroque. A collection of historical bassoons, from early baroque to modern, including a classical contrabassoon. Bassoon Concerto.
- Bassoon - Simple English Wikipedia, the free encyclopedia
History and repertoire. The bassoon developed from a...
- Bassoon - Wikipedia
French bassoon has greater facility in the extreme high...
- Bassoon - Simple English Wikipedia, the free encyclopedia
- Vivaldi: Bassoon Concerto in G minor. Vivaldiis thought to have written a staggering 39 bassoon concertos, of which 37 survive – Sergio Azzolini plays 26 of them below in an epic five-hour YouTube compilation.
- Telemann: Bassoon Sonata in F minor. Georg Philipp Telemann(1681–1767) is generally reckoned one of the most prolific composers in history with around 3,000 works to his name – although half have been lost and many haven’t been performed since the 18th century.
- Mozart: Bassoon Concerto, K191. Mozartis thought to have written no less than five bassoon concertos, although sadly this is the only one to have survived.
- Hummel: Bassoon Concerto. Listening to Hummel’s Bassoon Concerto (1805) will likely make you want to explore more of this neglected composer’s impressive music.
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The bassoon, known for its rich sound and wide range, is a complex woodwind instrument with a double reed and a long, conical tube. It’s versatile in orchestral and ensemble music, capable of playing both melodic and harmonic roles across genres. What are the different types of bassoons?
Bassoon concerto. A bassoon concerto is a concerto for bassoon accompanied by a musical ensemble, typically orchestra. Like bassoon sonatas, bassoon concerti were relatively uncommon until the twentieth century, although there are quite a few bassoon concerti from the Classical period.
On this basis, we are actively reconsidering bassoon repertoire, bearing in mind the suitability of which-sized instrument to the music and clues about historical performance practices. Our goal is to create a repertoire list suggesting what might have been written for and performed with fagottino or tenoroon.
