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  1. Blues vs Blue Jackets

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  2. en.wikipedia.org › wiki › BluesBlues - Wikipedia

    Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads.

    • Swamp Blues

      Swamp blues is a type of Louisiana blues that developed...

    • Chord Pattern
    • Melodic Pattern
    • Lyric Pattern
    • Blues Influenced Music
    • Notable Blues Musicians
    • Other Websites

    Blues is based on a simple pattern. “Blues is easy to play, but hard to feel”-Jimi Hendrix. A common form for the blues is a repeating 12 bar form (each bar has 4 beats). This is put together as 3 phrases or sections, each being 4 bars long. The basic blues only needs 3 chords, one based on the first note of the scale - the tonic chord, one based on the fourth note of the scale - the subdominant chord, and one based on the fifth note of the scale - the dominantchord. The first section or phrase of 4 bars only uses the tonic chord. A common variation is to use the subdominant chord in the second bar. The second phrase has 2 bars (8 beats) of subdominant chord then 2 bars of tonic chord. The third phrase has 1 bar (4 beats) of dominant chord, 1 bar of subdominant chord and finishes with 2 bars of tonic chord. In a scale based on the note C (C is the 1st or tonic, F is the 4th or subdominant, and G is the 5th or dominant), the chord pattern of a 12 bar blues would be like this: C C C C...

    The melody of the simplest blues scales are based on the minor pentatonic scalefor example C Eflat G A Bflat C, with extra notes (called "blue notes") added like this C Eflat Gflat G A Bflat C. Blue notes do not normally fit a scale, but they give the music a special feeling.

    The lyrics (words) are usually about life, more specifically, the bad things in life. They are simple blues songs that are also based around the form of 3 phrases. The first phrase is set over the first 4 bars of music. The second phrase words are a repetition of the first phrase, this always happens and emphasises the message. The third phrase completes the "story" and rhymes (ends with the same sound) as the first line. This verse from Robert Johnson's "Crossroad Blues"shows how these phrases work in a song: I went to the crossroads, fell down on my knees I went to the crossroads, fell down on my knees Asked the Lord above, have mercy now, save poor Bob if you please

    The blues have made a difference in newer American and Western popular music, such as jazz, bluegrass, rhythm and blues, rock and roll, hip-hop, and country music, as well as common pop songs.

    Blues Classroom from the Public Broadcasting Service(PBS)
    Gilliland, John (1969). "The Tribal Drum: The rise of rhythm and blues" (audio). Pop Chronicles. Digital.library.unt.edu.CS1 maint: ref=harv (link)
  3. The St. Louis Blues are a professional ice hockey team based in St. Louis. The Blues compete in the National Hockey League (NHL) as a member of the Central Division in the Western Conference. The franchise was founded in 1967 as one of the six teams from the 1967 NHL expansion and is named after the W. C. Handy song " Saint Louis Blues ".

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    • Overview
    • History
    • Honours
    • Rivalries

    The Blues is a New Zealand professional rugby union team based in Auckland, New Zealand who play in the Super Rugby competition. Like New Zealand's four other Super Rugby teams, the Blues were established by the NZRU in 1996. One of the most successful teams in Super Rugby history, the Blues won the competition in its first two seasons, 1996 and 1997, and again in 2003. Additionally, the team were finalists in 1998 and semi-finalists in 2007 and 2011.

    Along with New Zealand's other Super Rugby sides, the Blues were established by the NZRU to take part in the newly formed Super 12 competition which, involved teams from South Africa and Australia in addition to New Zealand. Each of New Zealand's five sides represented a number o

    By the end of the 1990s the number of international representatives from the Blues region had decreased. This led the Blues and the Chiefs to arrange a swap, where the Chiefs would represent the Thames Valley and Counties Manukau provincial unions in exchange for the Blues repres

    The expanded 14 team competition could not have started worse for the Blues, who were in 2006 forced by the NZRU to include North Harbour captain Rua Tipoki in their squad of 24 players who are 'protected' from the draft. Tipoki was originally to be excluded from the draft due to

    1996, 1997, 2003 1. Runners-up 1998 Playoff Appearances 2007

    Overall the Blues have dated rivalries with all other New Zealand-based Super Rugby teams, however a notable trophy is contested between the Blues and Highlanders. The Gordon Hunter Memorial Trophy is contested between the Blues and Highlanders as a part of regular season fixtures between the two sides. The trophy is awarded in memory of Gordon Hunter, who had been head coach of both teams prior to his passing away in 2002.

    • 1996
    • Auckland, New Zealand
  5. sco.wikipedia.org › wiki › BluesBlues - Wikipedia

    Blues is a genre an muisical form oreeginated bi African Americans in the Deep Sooth o the Unitit States aroond the end o the 19t century. References

  6. fi.wikipedia.org › wiki › BluesBlues – Wikipedia

    • Blues-Musiikin Peruspiirteet
    • Historia
    • Blues-Standardeja
    • Bluesmusiikin tyylejä
    • Bluesia lähellä olevat Musiikintyylit
    • Ääninäytteitä
    • aiheesta Muualla

    Sointukulut

    1900-luvun ensimmäisinä vuosikymmeninä blues ei ollut vielä niin selkeästi määriteltävissä sointukulun pohjalta. Monet kappaleet olivat säkeistöiltään 8-tahtisia (esimerkiksi hyvin tunnetut "How Long Blues", "Trouble in Mind", "Key to the Highway"). Myös muita tahtimääriä on tavattu (tunnettu kappale, "Sitting on Top of the World", on yhdeksäntahtinen). 1930-luvulle tultaessa 12-tahtisesta bluesista oli tullut standardi, jokayleensä soitetaan kolmen soinnun avulla: Roomalaiset numerot ilmaise...

    Melodiat ja skaalat

    Blues-soitto perustuu yleensä improvisaatioon. Improvisaatio tyypillisesti nojaa artistin omaksumiin nuottien pätkiin, joita yhdistelemällä soolot muotoutuvat. Tällaisia lyhyitä pätkiä kutsutaan englanniksi nimityksellä "lick". Bluesissa improvisaatio on esimerkiksi jazziin verrattuna siinä mielessä yksinkertaista, että se perustuu pääasiassa yhteen skaalaan, jota kutsutaan blues-skaalaksi (lähes sama kuin mollipentatoninen skaala). Blues-skaalan hienous piilee siinä, että kappaleen sävellaji...

    Tempot ja rytmit

    Kappaleiden tempo vaihtelee bluesissa huomattavasti. Hitaiden kappaleiden laahaavaa tempoa hyödynnetään täyttämällä tahdit intensiivisellä, emotionaalisella ilmaisulla. Nopeissa kappaleissa taas vetävän rytmin hakeminen saa keskeisen aseman. Yleisimmin kaksitoistatahtinen blues kirjoitetaan nuoteille 4/4 tahtilajimerkintään. Hitaissa blueskappaleissa yleinen tahtilaji on kuitenkin myös 12/8. Etenkin nopeatempoisemmissa kappaleissa käytetään shuffle-rytmiä, jota voidaan kuvailla sanallisesti t...

    Bluesin juuret

    Bluesin varhaisimmat juuret ovat Länsi-Afrikassa, josta väestöä kuljetettiin Yhdysvaltoihin orjatyövoimaksi varsinkin 1700-luvulla. Mississippijoen suiston alueella asui erityisen paljon mustaa väestöä, sillä siellä maanviljely ja etenkin puuvillan kasvatus muodostivat pääosan alueen taloudesta. Blues kehittyi puuvillapeltojen työntekijöiden työlauluista (field hollers) köyhien mustien maatyöläisten ja pienviljelijöiden vapaa-ajan musiikiksi. Blues-traditio haaroittui moniksi eri tyylilajeiks...

    1960-luku – valkoinen yleisö löytää bluesin

    1960-luvun alussa rock and roll ja soul olivat syrjäyttäneet bluesin afroamerikkalaisessa musiikissa, mutta bluesmusiikki eli yhä voimakkaana pienemmästä kysynnästä huolimatta. Valkoihoiset esittäjät alkoivat kohdistaa mielenkiintoaan nyt bluesiin, ja tätä kautta bluesmusiikki sai uutta yleisöä sekä Yhdysvalloissa että ulkomailla. Blues levisi mustien asuma-alueiden, "gettojen", ulkopuolelle. Yhdysvaltalaisissa blues-konserteissa alkoi nyt näkyä valkoihoisiakin kasvoja. Etenkin Britanniannuor...

    Kuten jazzissa, bluesissakin on "standardeja" eli kappaleita, jotka "kaikki" tuntevat ja joita soitetaan usein. Seuraavassa listassa on kaikkein tunnetuimpia blues-standardeja. Kappaleen jälkeen on ensin mainittu tunnetuimman levytyksen esittäjä ja sitten kappaleen kirjoittaja, mikäli se on eri henkilö. "Traditional" tarkoittaa että säveltäjä on tuntematon. 1. "Born Under a Bad Sign" (Albert King– Booker T. Jones & William Bell) 2. "Dust My Broom" (Elmore James - Robert Johnsontai traditional) 3. "Five Long Years" (Eddie Boyd) 4. "Hide Away" (Freddie King- F. King & S. Thompson) 5. "Key to the Highway" (Big Bill Broonzy) 6. "I'm Your Hoochie Coochie Man" (Muddy Waters – Willie Dixon) 7. "Killing Floor" (Howlin' Wolf) 8. "Rollin' and Tumblin"' (Muddy Waters– traditional) 9. "Rollin' Stone (Catfish Blues)" (Muddy Waters– traditional) 10. "Sweet Home Chicago" (Robert Johnson) 11. "Spoonful" (Howlin' Wolf – Willie Dixon) 12. "The Sky Is Crying" (Elmore James) 13. "They Call It Stormy Mo...

    Charlie Pattonin kappaleita ogg-formaatissa Pony Blues(ohje) High Water Everywhere part 1(ohje) A Spoonful Blues(ohje) Down the Dirt Road Blues(ohje) Shake It and Break It(ohje) Green River Blues(ohje) Bukka Whiten delta bluesia Sic 'em Dogs on(ohje) Po' Boy(ohje) Mississippi John Hurtin musiikkia vuodelta 1928. Hänen tyyliinsä kuuluu muista bluesmuusikoista poikkeava juokseva kitarasäestys Louis Collins(ohje) Robert Johnsonin delta bluesia Terraplane Blues(ohje) Milkcow's Calf Blues(ohje)

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