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Website. www .bomp .com. Who Put the Bomp was a rock music fanzine edited and published by Greg Shaw from 1970 to 1979. [1] [2] Its name came from the 1961 hit doo-wop song by Barry Mann, "Who Put the Bomp". Later, the name was shortened to Bomp! Bomp!, and extended by Shaw to the record label Bomp! Records, which he headed until his death in 2004.
Records is an American indie label, featuring punk, pop, powerpop, garage rock, new wave, old school rock, neo-psychedelia and much more. Since 1974 Bomp! has included such artists as The Modern Lovers, Iggy & The Stooges, Stiv Bators & The Dead Boys, 20/20, Shoes, Devo, The Romantics, DMZ, The Zeros, The Weirdos, Spacemen 3, The Germs, Jeff ...
May 3, 2024 · BOMP is one the oldest indie labels around, featuring punk, pop, powerpop, garage, new wave, old school rock, and much more. Since 1974 Bomp! has introduced such artists as the Modern Lovers, Iggy & The Stooges, Stiv Bators & the Dead Boys, 20/20, Shoes, Devo, the Romantics, DMZ, the Zeros, the Weirdos, Spacemen 3, the Germs, Jeff Dahl, and too many more to mention.
Jun 25, 2014 · The hook-infused single earned notoriety due to its premise of a vixen unsuccessfully courting a suspected gay man. Through careful promotion reminiscent of The Great Rock ‘n’ Roll Swindle, Bomp! earned a spot on the national news program 20/20. Suzy shared the unlikely experience in Who Put The Bomp! Saving the World One Record at a Time:
US punk and new wave record label founded by Greg Shaw (2) in Los Angeles, CA. 1974-78 and from 1986 onward the official Bomp! address was: P. O. Box 7112, Burbank, CA 91505. From 1979 to 1985-6 new releases and re-pressings have the address: 2702 San Fernando Rd., Los Angeles, CA 90065.
Who Put The Bomp was a rock music fanzine edited and published by Greg Shaw from 1970 to 1979. [1] [2] Its name came from the 1961 hit doo-wop song by Barry Mann, "Who Put the Bomp". Later, the name was shortened to Bomp!Bomp!, and extended by Shaw to the record label Bomp! Records, which he headed until his death in 2004. [3] [4] Background
