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  1. Howard Jackson (born Howard Manucey Jackson 8 February 1900 in St. Augustine, Florida – 4 August 1966 in Florida) was an American film composer of feature movies and industry documentaries. He was often uncredited.

  2. Howard Jackson may refer to: Howard Jackson (kickboxer) (1951–2006), American kickboxer; Howard W. Jackson (1877–1960), mayor of Baltimore; Howard Jackson (composer) (1900–1966), American film composer

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  4. James Newton Howard (born June 9, 1951) is an American film composer, music producer and keyboardist. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards.

    • Keyboards
    • 1975–present
    • Composer, music producer, musician, arranger
    • Context
    • Creation
    • Analysis
    • Reception
    • Recordings
    • See Also
    • Sources
    • External Links

    The Lord of the Rings is a fantasy novel by the English philologist and author J. R. R. Tolkien. It was published in 1954–1955, and became one of the most popular books of the 20th century, with over 150 million copies sold. It has been translated into at least 58 languages. The New Zealand film director Peter Jackson created a film seriesbased on ...

    Film scores

    The Canadian composer and conductor Howard Shore composed, orchestrated, conducted and produced the film trilogy's music. The filmmakers had considered the American composer James Horner and the Polish composer Wojciech Kilar for the role. Shore visited the set in 1999, and composed a version of the Shire theme and Frodo's Theme before Jackson began shooting. In August 2000 he visited the set again, and watched the assembly cuts of The Fellowship of the Ring and The Return of the King. In the...

    Use of Middle-earth languages

    The film score for The Lord of the Rings incorporates extensive vocal music blended with the orchestral arrangements. The great majority of the lyrics used in the libretto are in the invented languages of Middle-earth, representing the various cultures and races in Tolkien's writings. These languages include Quenya and Sindarin for the Elves, Adûnaic and Rohirric for Men, and Khuzdul for the Dwarves. The score follows Tolkien's use of Old English as an analogue for Rohirric, while English is...

    Songs and diegetic music

    The score includes a series of songs, some diegetic, some not. A selection of them, with the associated underscore, were released as single CD releases and music videos featuring footage from the film and the production, prior to the release of the entire soundtracks. Some of the diegetic songs were not composed by Shore, but he orchestrated and conducted the orchestral accompaniment and even reprised some of them in his symphony. Thus, Bilbo's farewell partysees the hobbits celebrating and d...

    In 2010, the musicologist and music journalist Doug Adams published what is effectively the official book of Shore's scores for the films, The Music of the Lord of the Rings Films, as Shore had invited him to "organize and present a cohesive view of the score". The book is based on unique long-term access to Shore throughout the four-year compositi...

    Awards

    The scores and soundtrack albums of the film trilogy have won three Academy Awards, three Golden Globe awards, and four Grammy Awards, including: 1. The Fellowship of the Ring won an Academy Award for Best Original Score and a Grammy Award for Best Score Soundtrack Albumin 2001. 2. The Two Towerswon a Grammy Award for Best Score Soundtrack Album in 2002. 3. The Return of the King won an Academy Award for Best Original Score, an Academy Award for Best Original Song with "Into the West" by Anni...

    By critics

    The philosopher and author Roger Scruton, for the Future Symphony Institute, notes that the phrase "film music" has, however unfairly, often been used pejoratively by critics. He writes that, on the contrary, "the most successful film music today exhibits a quite extraordinary level of competence." In Scruton's view, "Howard Shore's evocative music for The Lord of the Rings exhibit[s] a mastery of harmonic sequences, polyphonicorganisation and orchestral effect that would be the envy of many...

    By Tolkien scholars

    Kristin Thompson, in the scholarly book Picturing Tolkien, writes that "even the film [series]'s harshest critics credit it with ... superb design elements, including ... music". The Tolkien scholar David Bratman, in his survey of music inspired by Tolkien, provides what Mythlore called "justified and sharp" criticisms of the film score. Bratman describes the score as "uninspired hackwork" and states that Shore's Celtic music representing the Shire (played on a "Celtic assortment of instrumen...

    Original soundtracks

    Recordings of the score were originally issued on single-disc albums, named The Fellowship of the Ring, The Two Towers, and The Return of the King, that closely followed the cinematic releases of the films, or presented earlier versions recorded during the film's editing.The music on the disc was arranged as a concert-piece while also keeping reasonably with the plot progression of the film.

    The Complete Recordings

    Starting in 2005, a year after the extended release of The Return of the King, Reprise Records released one multi-disc set for each part of the trilogy. These annually published collections, titled The Complete Recordings, contain the entire score for the extended versions of the films on CD, along with an additional DVD-Audio disc that offers 2.0 stereo and 5.1 surround mixes of the soundtrack, and liner notes by Doug Adams. They were re-released in 2018 by Rhino Entertainment.

    The Rarities Archives

    The 2010 book by Doug Adams, The Music of the Lord of the Rings Films, contains a companion CD, The Rarities Archives, of alternate versions and otherwise unpublished music created during the composition process.

    The Lord of the Rings (soundtrack), the score of the 1978 Ralph Bakshi film by Leonard Rosenman.
    Symphony No. 1 "The Lord of the Rings", a 1988 concert band composition by Johan de Meij
    Music of The Hobbitfilm series
    Adams, Doug (2010). The Music of The Lord of the Rings Films. Éditions Didier Carpentier[fr]. ISBN 978-0-7390-7157-1.
    Bernanke, Judith (2008). "Howard Shore's Ring Cycle: The Film Score and Operatic Strategy". In Harriet Elaine Margolis; Sean Cubitt; Barry King; Thierry Jutel (eds.). Studying the Event Film: The L...
    Donnelly, Kevin J. (2006). "Musical Middle-earth". In Mathijs, Ernest (ed.). The Lord of the Rings : popular culture in global context. London: Wallflower Press. pp. 301–313. ISBN 978-1-904764-82-3...
    Shore, Howard (2004). Howard Shore - Creating The Lord Of The Rings Symphony: A Composer's Journey Through Middle-earth (DVD). New Line Cinema. SHORE-90-AW. Online
    • 2000–2004
  5. Howard Jackson was born on 8 February 1900 in St. Augustine, Florida, USA. He was a composer, known for Mr. Deeds Goes to Town (1936) , Dizzy Dames (1935) and Torchy Runs for Mayor (1939) . He died on 4 August 1966 in Florida, USA.

    • Composer, Music Department, Soundtrack
    • February 8, 1900
    • Howard Jackson
    • August 4, 1966
  6. en.wikipedia.org › wiki › Howard_ShoreHoward Shore - Wikipedia

    Howard Leslie Shore OC (born October 18, 1946) is a Canadian composer, conductor and orchestrator noted for his film scores. [1] . He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies.

  7. Known For. It Happened One Night. Mr. Deeds Goes to Town. Calamity Jane. Sergeant Rutledge. Lady for a Day. Merrill's Marauders. Silver Lode. Black Legion. Sound. Crew. All. Department. Howard Jackson was an American film and television composer.

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