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  1. en.wikipedia.org › wiki › John_GrahamJohn Graham - Wikipedia

    Football. Other sports. See also. John Graham. John or Johnny Graham may refer to: Arts and entertainment. John Graham (history painter), English painter. John Graham (painter) (1754–1817), Scottish painter and teacher of art. John D. Graham (1886–1961), American painter. Jon Dee Graham (born 1959), guitarist and songwriter from Austin, Texas.

  2. John D. Graham (December 27, 1886, Kyiv, Ukraine – June 27, 1961, London, England) was a Ukrainian–born American modernist and figurative painter, art collector, and a mentor of modernist artists in New York City. Born Ivan Gratianovitch Dombrowsky in Kyiv, he immigrated to New York in 1920.

  3. The economic implications of corporate financial reporting. JR Graham, CR Harvey, S Rajgopal. Journal of accounting and economics 40 (1-3), 3-73. , 2005. 9803. 2005. The theory and practice of corporate finance: Evidence from the field. JR Graham, CR Harvey. Journal of financial economics 60 (2-3), 187-243.

  4. John R. Graham. D. Richard Mead Jr. Family Professor of Finance, Duke University. Research Associate, NBER. Academic Fellow, UNC Tax Center. Director: The CFO Survey (Duke, Federal Reserve Banks of Atlanta and Richmond) Google Scholar Link. SSRN link to working paper versions of research.

  5. Jun 14, 2017 · ARTnews. The Eyes Have It: John Grahams Modernist Portraits Peer Out from the Parrish Museum. By Robert Ayers. June 14, 2017 1:25pm. John Graham, Nature Morte, 1929–30, oil on canvas, 17...

  6. John Graham Home Page. John Graham D. Richard Mead Jr. Family Professor of FinancePh.D. Duke University, 1994. E-mail: John.Graham@duke.edu Phone: (919) 660-7857 Fax: (919) 660-8038 Regular Mail: Fuqua School of Business Duke University 1 Towerview Drive Durham, NC 27708-0120. Additional Information.

  7. John Graham: Maverick Modernist is a comprehensive survey of significant scope and scholarship, exploring how the artist became an influential figure in the development of a distinctly American approach to art-making in the first half of the twentieth century, and in what ways Graham’s own self-reinvention as an artist mirrors the resourcefulnes...

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